Showing posts with label Schmitt. Show all posts
Showing posts with label Schmitt. Show all posts

Answering the Challenge







Men today plan explorations in the stratosphere and trips to the Moon. The Earth itself, our planet, will be transformed into a space-ship [barco-espacio] bursting into the cosmos.

And yet, this interpolation merely rehearses an old response, a desperate insistence on the continuity of an earlier historical response to the "Challenge" of the open sea(s). Men today imagine the present "Challenge" as merely an inflated version of the discovery of the Americas. We have already said that such a response is entirely comprehensible, from a psychological point of view. Back then, Earth’s new continents and oceans of the Earth were just emerging on the horizon. But I do not see some new cosmos opening up in the same way; nor do I hear a cosmic call or "Challenge."

The apparent continuation of the old Response under a more modern guise leads us to regard history in ahistorical and anachronistic terms. It is completely natural for the conqueror of a past era to fail to accommodate history's later call. After all, how can the conqueror understand that even his victory was to be a victory made only once?

The one who succeeds in corralling unfettered technology in order to dominate and insert it into a concrete order, is the one who offers a true response to the present call, not the one who attempts to land on the Moon or Mars with the resources given to him by that unfettered technology.

Taming unfettered technology would be, for example, the work of a new Hercules. It is from this direction that I await the new call, the "Challenge" of our present.

[Carl Schmitt]
‘The Planetary Tension Between Orient and Occident and the Opposition Between Land and Sea’, Chap. V



Related posts: 

Land and Sea




Land          -        Sea
Finite         -         Infinite




The retreat of nature as an obstacle to man's progress, which he achieves by means of his labor in culture and civilization, proceeds differently when man works on and through ships rather than by cultivating the earth and creating pasturelands.

The house remains the nucleus and center of terrestrial life, together with all its concrete orders: house and property, matrimony, family, and inheritance. All these concrete orders are born and grow upon the soil and under the stamp of terrestrial life, specifically agricultural life. The fundamental institution of law, dominium or property, receives its name from domus, house. That is obvious. But even legal jurists do not realize that the German word for laborer, “Bauer,” does not refer to the cultivation of the soil, but rather the act of building: Bau, Gebau. Labor thus designates in the first instance, the man who builds a house.

Terrestrial life revolves around the house. In contrast, maritime life revolves around the ship, which one must navigate. The house is rest: the ship, movement. The space in which the ship moves is distinct from that of the house. As a consequence, the ship belongs to another environment with a different horizon. On the ship, men engage in a different kind of social relation(ship) amongst themselves as well as with the outer world. They also have a fundamentally different relation to nature, above all with respect to animals. The man of the earth tames and domesticates animals—the elephant, the camel, horse, dog, cat, ox, mule—and makes them domestic animals. Fish, on the other hand, can never be domesticated. Never: they are fished and eaten because the house is foreign to the sea.

We bring these simple historical-cultural examples to mind here, in order to recall the profound difference between terrestrial and maritime existence, land and sea life.

We are looking for an answer to the question of why the industrial Revolution, with its unfettered technology, remains tied to maritime existence. A land-based order, with the house at its center, necessarily has a fundamentally different relation to technology than an order of life that revolves around the ship. The absolutization of technology and technological progress, the conflation of technical progress to mean progress in general, everything that one might understand under the catch-phrase "unfettered technology" [técnica desencadenada] develops only when fed by the nutritious subsoil and climate of maritime existence.

By following the call of the open seas, by actualizing the passage to sea life, the British isle gave a magnificent historical response to the historical call of the age of discoveries. With this it created the foundations of the industrial Revolution and the beginning of an era whose problematic we are experiencing today.

We have spoken concretely of the industrial Revolution, which is our present destiny. To reiterate, it could not have originated in any other country but England in the eighteenth century. An industrial Revolution signifies the freeing of technological progress: this liberation is solely comprehensible from within maritime existence; here it appears logical, up to a certain point.

Technological inventions have been made everywhere throughout the ages. The British contribution to technology is no greater than that of other nations. It always comes down to knowing what becomes of the technological invention, and this depends on the context, the concrete order, in which the invention turns up. Within the context of maritime existence, technological inventions develop unfettered and free, as opposed to when they emerge from the fixed organs of terrestrial life and remain surrounded and integrated to these.

The British, who in the eighteenth century were responsible for all the discoveries that led to the industrial Revolution (the coke oven, etc.) were in no way more brilliant than the men of other times and other countries that, while remaining tied to the land, had in an equal manner brought to realization many of the same eighteenth-century inventions. Technological inventions are not discoveries revealed by some mysterious, higher power. They fall within their time. They develop or decay according to the corresponding and concrete order of human life in which they have emerged.

So, this is to say that the inventions that inaugurate the industrial Revolution only become its foundation where the passage to maritime existence, sea life, has taken place. The passage to a purely maritime existence has as its result and in its most far reaching and intimate consequences, the freeing of technology as an autonomous force.

Notwithstanding all that had been developed before the arrival of technology in the context of essentially terrestrial life and existence, technology in an absolute sense had never arisen. It bears repeating here the observation that thalassic culture—limited to the coasts and interior seas—does not even signify a definitive step toward maritime existence. Only upon the ocean can the ship become the counter-image of the house.

Faith in absolute progress is a sign of having accomplished this passage toward maritime existence. The reactions caught up in a continuous and limitless process of invention are born in the historical, social and morally infinite space of sea life.

We are not referring here to the difference between sedentary and nomad peoples, but rather the opposition between land and sea as the possibilities of living in one of two elementally distinct forms of life. It is for this reason mistaken to speak of naval nomads, in comparison to nomads on horse, camel, or other nomads belonging to Terra firma. This is only one of the many incorrect homologies between land and sea. The space in which historical human existence localizes itself is fundamentally different between earth and sea, both in terms of their horizon of possibility as in terms of their very foundations; and essentially different forces lay behind human culture, on the one hand, and human civilization, on the other. These affect the one who views the sea from the land differently than the one who views the land from the sea, insofar as culture is determined more by the terrestrial (land-based order) and civilization by the maritime; and the maritime image of the world is first and foremost technomorphic before being sociomorphic.

"The principle of family life is dependence on the soil, on land, terra firma. Similarly, the natural element for industry, animating its outward movement, is the sea".

[Carl Schmitt]
‘The Planetary Tension Between Orient and Occident and the Opposition Between Land and Sea’, Chap. V



Related posts: 

Opposition




Aristotle          -          Sophocles
Transcendent   -          Immanent
Mono               -          Poly




There is the level of the opposition and the meta-level, of the integration of the opposition. Those who take part in the conflict are necessarily unaware of how their actions form a wider balance.




It is important for us to become fully aware of these pairs of opposites.

Our logical mind does not like them: it generally operates on the either-or or yes-no principle, like a computer. So, at any one time it wishes to give its allegiance to either the one of the other of the pair, and as this exclusiveness inevitably leads to an ever more obvious loss of realism and truth, the mind suddenly changes sides, often without even noticing it.

It swings from one opposite to the other, and every time there is a feeling of ‘making up one's mind afresh'; or else the mind becomes rigid and lifeless, fixing itself on one side of the pair of opposites and feeling that now 'the problem has been solved'.

The pairs of opposites, of which freedom and order and growth and decay are the most basic, put tension into the world, a tension that sharpens man's sensitivity and increases his self-awareness. No real understanding is possible without awareness of these pairs of opposites, which, as it were, permeate everything man does.

Only a higher force - wisdom - can reconcile these opposites. 

The problem cannot be solved; but wisdom can transcend it […] societies need stability and change, tradition and innovation; public interest and private interest; planning and laissez-faire; order and freedom; growth and decay: everywhere society's health depends on the simultaneous pursuit of mutually opposed activities or aims.

The adoption of a final solution means a kind of death sentence for man's humanity and spells either cruelty or dissolution, or generally both.

Divergent problems offend the logical mind which wishes to remove tension by coming down on one side or the other; but they provoke, stimulate and sharpen the higher human faculties without which man is nothing but a clever animal. A refusal to accept the divergency of divergent problems causes these higher faculties to remain dormant and to wither away, and when this happens the 'clever animal' is more likely than not to destroy itself.

Man’s life can thus be seen and understood as a succession of divergent problems which are inevitably encountered and have to be coped with in some way. They are refractory to mere logic and discursive reason, and constitute, as it were, a strain-and-stretch apparatus to develop the Whole Man, and that means to develop man's supra-logical faculties.

All traditional cultures have seen life as a school and have recognised, in one way or another, the essentiality of this teaching force.

[E. F. Schumacher]
A Guide for the Perplexed, p.146-8
 



Without the enemy life would be meaningless and shallow.

To have no enemies, to have no power to decide who to include as a member of the body and who to exclude as a member of the body, is to not be political at all. And since man is political, and this is part of his human nature, those who attempt to eliminate conflict and transform enemies into “rational actors” whom one can persuade to not have qualms with, are nihilists out to destroy man’s political nature.

(Schmitt makes it clear that liberalism is one such force that attempts to eliminate all conflict and, in doing so, would destroy human nature and make man’s life miserable for he would not be political at all, which is to say he would cease being human if he ceased being political.)

[Paul Krause]
'Carl Schmitt: The Friend-Enemy Distinction'




Since the most important aspect of self-organisation is the emergence of structure through the activity of microscopic units that do not have access to global patterns, the principles that determine the behaviours of weights and nodes locally are very important.

[One of the preconditions for self-organisation is that there] is competition among the units.

Competing for limited resources is the basic driving force behind the development of structure. Stronger units thrive at the expense of others. If resources were limitless, i.e. if growth could take place unrestricted, no meaningful structure would evolve. Boundaries, limits and constraints are preconditions for structure.

[…] There is also co-operation among at least some units. If only single units won, the resulting structure would be too simple for self-organisation to evolve. Co-operation is also necessary to form associations among patterns. Mutual reinforcement and co-operation are preconditions for a rich, meaningful structure.

[Paul Cilliers]
Complexity and Postmodernism, p.94-5




[…] your autonomic nervous system is divided into two components. There is your sympathetic, and your parasympathetic.

So your sympathetic system is designed […] towards interpreting the world in a way […] it's biased […] the things that make us adoptive also make us susceptible to self-deception — it's biased, because you can't look at all of the evidence! It's biased to looking for and interpreting evidence that […] you should raise your level of arousal.

Your parasympathetic system is biased the other way. These are both heuristic ways of processing; they work in terms of biasing the processing of data. So the parasympathetic system is constantly trying to find evidence that you should reduce your level of arousal.

So they're opposed in their goal, but here's the thing: they're also interdependent in their function. So the sympathetic nervous system is always trying to arouse you […] the parasympathetic system is always trying to pull you down. And as the environment changes that tug of war shifts around your level of arousal.

Opponent Processing is when you have two systems that are opposed, but integrated. [It] means that your level of arousal is constantly evolving to fit the environment.

Is it perfect? No, nothing can be. Any problem solving machine in order to be perfect, would have to explore the complete problem space. That's combinatorially explosive, it can’t! But what is this? Well, you've seen this before!

Opponent Processing is a powerful way to get optimisation. You're optimising between systems that are working different goals, but are integrated in their function. And that way the system constantly self-organises and it then thereby evolves it's fittedness to the environment.

[John Vervaeke]
‘Ep. 30 - Awakening from the Meaning Crisis - Relevance Realization Meets Dynamical Systems Theory’, YouTube




The model can be made more complex networks by imposing certain 'biases' on the nodes.

These will suppress signals below a certain threshold - another example of non-linear interaction. The size of the bias has an important effect: if it is too high, the network will be too stable, if it is too low, the network will be chaotic.

The bias therefore provides a mechanism through which the system can adjust itself to remain at the critical level even when the complexity of the external world fluctuates.

[Paul Cilliers]
Complexity and Postmodernism, p.98




The left has a progressive telos based on a deep-rooted belief in the perfectibility of man. The right — in all its forms — rejects this belief and asserts a constant human nature. Thus, those concepts on the left which depend on their core assumptions are simply unusable for us — not because we are unreflexive, unthoughtful, and kneejerk but because we disagree about what man is.

[…] Capital T Theory is important for the left because of their core belief in the perfectibility of man. All else flows from this. Thus, for structural Marxists the issue with Stalin wasn’t that he killed millions of people or that he was totalitarian, it was that he made mistakes in his Theory. If only they could find the right formula, they’d fix what went wrong with the USSR.

Theory in this sense has no utility for the right because we do not believe that mankind can be fixed. Our task is to describe what is essential and fixed in human nature and to discern what accounts for change and variation.

This was put best by Thomas Sowell […] in A Conflict of Visions:

The issue is not as to whether changes have occurred in human history, but whether these are, in effect, changes of costumes and scenery or changes of the play itself. In the constrained vision, it is mostly the costumes and scenery that have changed; in the unconstrained vision, the play itself has changed, the characters are fundamentally different, and equally sweeping changes are both likely and necessary in the future.


People on the right tend to the former, tragic vision, and people on the left to the latter, utopian vision. The right is built and must be built on essential, perennial truths which are not only fixed but non-negotiable. In such a worldview there is no such thing as ‘progress’.

If you assert a concept that is derived from dialectical materialism, you negate concepts coming from the traditionalist lens and vice versa […] ‘Don’t just reflexively reject left-wing ideas because they are from the left or you’ll fall behind intellectually’. What claptrap is this? And what an insult to the canon of right-wing thought!

[Academic Agent]
‘The Problem with ‘Theory’, The Forbidden Texts, Substack




[…] scientific research is highly competitive, not just in the usual sense that everyone is trying for the same grant money, or racing for priority in a discovery.

Researchers compete with one another to shape the future direction of research and make a significant place for their own work in its unfolding.

This should not be interpreted as a reductive dismissal of scientific work as a kind of egotistical assertion of one's own importance. The same pattern results if scientists are genuinely convinced of the importance of their ideas and methods, and engage in these competitions for the relatively disinterested purpose of pointing the field in a more productive direction, by securing for these ideas or methods their rightful place.

The recycling of scientific results and the consequent reconstruction of their narrative intelligibility are a structural feature of science as an activity, not a consequence of the motives of individual scientists.

If I am right that scientific work only makes sense in the context of an ongoing shared but contested narrative reconstruction of a research field, where is this narrative understanding located? […] the fuller narrative context within which scientific work proceeds is rarely foregrounded at all.

[Joseph Rouse]
‘The Narrative Reconstruction of Science’




The sophists stage an art of argument, a play of astuteness, the point of which is to snare one's opponent. The term 'problem', from the Greek problemata, originally meant the question presented to the opponent for a solution. 'Solving', in this context, should be taken literally. It means to free oneself from ropes and snares.

The agonistic character of philosophy represents the cosmic process, understood as the eternal strife between primordial oppositions.

For Heraclitus, war is father of all, and according to Empedocles, affection (Greek: philia) and strife (Greek: neikos) are the two fundamental principles that determine the course of the world.

[Byung-Chul Han]
The Disappearance of Rituals, p.77




In the Gorgias, Socrates and Callicles behave more like two duellers than like two engaged in a dialogue; it is more confrontation than discussion. It resembles a dramatic form of ritual combat.

Indeed, between two incompatible positions on power and justice no mediation is possible: it is only a question of winning or losing. The agonistic character of the dialogue is plain:

And what becomes clear to any reader of the text is not that one interlocutor will convince the other, but that there will be a victor and a vanquished. This is after all what explains why Socrates's methods in this dialogue are hardly fairer than those of Callicles. Wanting the ends means wanting the means, and it is a matter of winning, especially of winning in the eyes of young men who witness the scene.

Plato's dialogues are theatrical, and the 'joys of the theatre' determine the course of the game."

[Byung-Chul Han]
The Disappearance of Rituals, p.78




For male and female alike in The Faerie Queene, the psychological energy of aspiration and achievement is masculine. Life is rigor; no rest is possible.

Seductive Phaedria tries to dissuade her suitor knights from conflict, but it is only by the clashing strife of contraries that Temperance or the temperate golden mean is achieved. The Faerie Queene’s androgyny theme belongs to this classical tradition of the coincidentia oppositorum or fruitful synthesis of opposites.

[Camille Paglia]
Sexual Personae, p.184-5




In both the political and the personal realm conflict and virtue are mutually incompatible and exclusive. This is perhaps one source of Plato's view that dramatic art is an enemy of virtue.

But he is also deeply committed to the view that both within the city and within the person virtue cannot be in conflict with virtue. There cannot be rival goods at war with each other. Yet it is just what Plato takes to be impossible which makes tragic drama possible.

Could it then be the case that in certain circumstances at least the possession of one virtue might exclude the possession of some other? Could one virtue be temporarily at least at war with another?

[...] the virtues are not merely compatible with each other, but the presence of each requires the presence of all. This strong thesis concerning the unity of the virtues is reiterated both by Aristotle and by Aquinas, even though they differ from Plato - and from each other - in a number of important ways.

The presupposition which all three share is that there exists a cosmic order which dictates the place of each virtue in a total harmonious scheme of human life. Truth in the moral sphere consists in the conformity of moral judgment to the order of this scheme.

There is a sharply contrasting modern tradition which holds that the variety and heterogeneity of human goods is such that their pursuit cannot be reconciled in any single moral order and that consequently any social order which either attempts such a reconciliation or which enforces the hegemony of one set of goods over all other is bound to turn into [...] a totalitarian straitjacket for the human condition.

This is a view which Sir Isaiah Berlin has urged upon us strenuously, and its ancestry, as we noted earlier, is in Weber's writings. I take it that this view entails a heterogeneity of the virtues as well as of goods in general and that choice between rival claims in respect of the virtues has the same central place in the moral life for such theorists that choice between goods in general does. And where judgments express choices of this kind, we cannot characterize them as either true or false.

The interest of Sophocles lies in his presentation of a view equally difficult for a Platonist or a Weberian  to accept. There are indeed crucial conflicts in which different virtues appear as making rival and incompatible claims upon us. But our situation is tragic in that we have to recognize the authority of both claims. There is an objective moral order, but our perceptions of it are such that we cannot bring rival moral truths into complete harmony with each other and yet the acknowledgment of the moral order and of moral truth makes the kind of choice which a Weber or a Berlin urges upon us out of the question.

[...] the choice between rival goods in a tragic situation differs from the modern choice between incommensurable moral premises [in] that both of the alternative courses of action which confront the individual have to be recognized as leading to some authentic and substantial good.

By choosing one I do nothing to diminish or derogate from the claim upon me of the other; and therefore, whatever I do, I shall have left undone what I ought to have done.

The tragic protagonist, unlike the moral agent as depicted by Sartre or Hare, is not choosing between allegiance to one moral principle rather than another, nor is he or she deciding upon some principle of priority between moral principles.

Hence the 'ought' involved has a different meaning and force from that of the 'ought' in moral principles understood in a modern way. For the tragic protagonist cannot do everything that he or she ought to do.

In the conflicts of Sophoclean tragedy therefore the attempt at resolution unsurprisingly invokes an appeal to and a verdict by some god. But the divine verdict always ends rather than resolves the conflict. It leaves unbridged the gap between the acknowledgment of authority, of a cosmic order and of the claims to truth involved in the recognition of the virtues on the one hand and our particular perceptions and judgments in particular situations on the other.

[Alasdair MacIntyre]
After Virtue, p.165-7, 259




The problem which I am raising is best stated initially in terms of a confrontation between Aristotle and Sophocles.

[...] there are the questions posed by Aristotle's inheritance of Plato's belief in the unity and harmony of both the individual soul and the city-state and Aristotle's consequent perception of conflict as something to be avoided or managed.

For Aristotle, as I have already suggested, the tragic form of narrative is enacted when and only when we have a hero with a flaw, a flaw in practical intelligence which springs from inadequate possession or exercise of some virtue.

In a world in which everyone is good enough therefore there would be no tragic hero to be portrayed.

[...] the conflicts of tragedy certainly may in part take the form that they do because of the flaws in Antigone and Creon, Odysseus and Philoctetes; but what constitutes those individuals' tragic opposition and conflict is the conflict of good with good [...] and to this aspect of tragedy Aristotle in the Poetics is and has to be blind.

The absence of this view of the centrality of opposition and conflict in human life conceals from Aristotle also one important source of human learning about and one important milieu of human practice of the virtues.

The great Australian philosopher John Anderson urged us 'not to ask of a social institution: "What end or purpose does it serve?" but rather, "Of what conflicts is it the scene?" [...] If Aristotle had asked this question both of the polis and of the individual agent, he would have had an additional resource for understanding the teleological character of both the virtues and the social forms which provide them with a context.

For it was Anderson's insight - a Sophoclean insight - that it is through conflict and sometimes only through conflict that we learn what our ends and purposes are.

[Alasdair MacIntyre]
After Virtue, p.190-1



In these traditional societies, except where the English tradition was successfully established, there has been a reluctance to accept majority rule or the organized oppositional structure of the parliamentary system because of the native desire for a unified social context.

Instead of decision by majority rule, which was often unacceptable to native peoples because it seemed to force an alienated situation on the minority, native peoples in many areas preferred to reach decisions by what could be called “reaching a consensus.”

This method, exemplified in the American Indian “powwow” or in American business conferences, achieved agreement and decision, usually unanimously, by comment from each person present in sequence until consensus was reached. The difficulty of using this method in the large assemblies of newly independent governments often led to other mechanisms for achieving unanimity, such as a constitutional provision that any political party that captured a majority of the vote should have all the seats.

To the Western European such a rule seems to be a scandalous refusal to listen to minority opinion; to natives it often seems a most necessary mechanism for preserving solidarity.

Really it is a mechanism for keeping diverse opinions behind the scene, out of public view, and force the reconciliation of differences to take place in some concealed area of backstage intrigue and discussion rather than out in the public arena of the national assembly. The latter body becomes a mechanism for publicly demonstrating national solidarity or for proclaiming public policy, rather than an area of conflict as it had become in the western European parliamentary system.

This tendency to seek a public display of uniformity and national solidarity through political and constitutional processes was evident in Hitler’s Third Reich, as it has been in other recent European authoritarian states, including the Soviet Union, and has also appeared in the more traditionally free governments of western Europe and the United States.

The European tradition to seek a settlement of disputes or differences by force or in battle was evident in the feudal tradition, in the electoral and parliamentary systems, in the contentious (rather than investigatory) nature of English legal procedure, and in the European, and especially English, obsession with sports and athletic contests. It is part of the warlike tradition of Europe that gave it the weapons development and political power to dominate the world.

Such an emphasis on force as a prime factor in human life is rarer in colonial areas, especially in those where peasant traditions are strong and pastoral traditions are weak (such as India, southeast Asia, China, and much of Negro Africa). In these areas force often appeared in a ritual or symbolic way, so that the outcome of a battle was settled by the infliction of a single casualty, which was taken to indicate a religious or magical settlement of the dispute, making further conflict unnecessary.

[Carroll Quigley]
Tragedy and Hope, ‘The New Era,’ p.749




Resurgent religions, ancient ethnic enmities and territorial rivalries, the use of new technologies for purposes of war rather than wealth-creation do not accord well with Enlightenment expectations of secularisation and the propagation of peace through trade. They betoken a reversion to the classical sources of political and military conflict between and within states.

According to the ideologies of the Enlightenment, liberal as well as Marxist, such conflicts are not endemic to the human condition. They are developmental phases in human progress.

Neo-conservaties who maintain that democratic capitalist sates are the only legitimate form of government, and that such governments will never go to war against one another, are as much captivated by the illusion that the historic sources of human conflict can be transcended as the most vulgar Marxist. They thereby repudiate the traditional practice of diplomacy, which aimed to contain and moderate the sources of destructive conflict without imagining that they could be eradicated.

[John Gray]
False Dawn, p.102




The German legal scholar Carl Schmitt offers an extreme alternative to Locke and all the thinkers of the Enlightenment.

He concedes with the signatories of Westphalia that there never will be any agreement on the most important things, on questions of religion and virtue and the nature of humanity. But where Locke says that it is in humanity’s nature to know nothing about the nature of humanity, Schmitt responds that it is equally a part of the human condition to be divided by such questions and to be forced to take sides.

Politics is the field of battle in which that division takes place, in which humans are forced to choose between friends and enemies. “The high points of politics,” declares Schmitt, “are the moments in which the enemy is, in concrete clarity, recognized as the enemy.” The enemy is the one whose very presence forces us to confront the foundational questions about human nature anew; “the enemy is our own question as a figure.”

Because of the permanence of these always contentious questions, one cannot unilaterally escape from all politics; those who attempt to do so are suffering from moments of supreme self-delusion; these include the signatories of the Kellogg Pact of 1928, which outlawed all war.

Indeed, it is even worse: “[I]f a part of the population declares that it no longer recognizes enemies, then, depending on the circumstance, it joins their side and aids them.” There is no safety in unilateral disarmament. When one chooses not to decide, one still has a made a choice—invariably a mistaken choice, which implicitly assumes that humankind is fundamentally good or unproblematic.

[…] pacifists believe that the political decision can be avoided in this world […]

In this way, politics serves as a constant reminder to a fallen humanity that life is serious and that there are things that truly matter […]

[Peter Thiel]
‘The Straussian Moment’



Related posts:

Commitment




Uncommitted    -         Committed
Universal          -          Particular
Unbiased           -          Biased
Global               -          Local
Tepid                 -          Vivid
Many                 -          Few
Disconnected    -          Connected




[…] Don Quixote [is] a romantic political figure, but not a political romantic.

Instead of seeing the higher harmony, he was capable of seeing the difference between right and wrong and of making a decision in favor of what seemed right to him, a capacity that the political romantic lacks […]

[…] the ability to make a decision between right and wrong […] is the principle of every political energy […] Where political activity begins, political romanticism ends […] Romantic activity […] is a contradiction in terms. 

Any relationship to a legal or moral judgment would be incongruous […] and every norm would seem to be an antiromantic tyranny. A legal or a moral decision would be senseless and it would inevitably destroy romanticism. This is why the romantic is not in a position to deliberately take sides and make a decision.

On romantic grounds, he cannot even decisively reject the theory of the state that proceeds from the view that man is "evil by nature.” Even if many romantics find this theory uncongenial, there is still the possibility of romanticizing this wicked person, the “beast,” as long as he only remains sufficiently remote.

From the standpoint of romanticism, what is at stake is something higher than a decision.

[Carl Schmitt]
Political Romanticism, p. 116, 124, 147, 160




Strauss too perceives an inner insincerity and a subjective tyranny in the romantic. He explains it […] in terms of the inner uncertainty in a conflict between antagonistic forces.

[Carl Schmitt]
Political Romanticism, p.151




If Royce and Bourne failed to give enough attention to the reconciliation of conflicts and the mechanisms of social cohesion, it was because they saw desiccation as a greater danger than social conflict.

The debate about cultural pluralism came down to the issue posed by William James in his exchange with Hobhouse. The assimilationists, like Hobhouse, worried about intolerance and fanaticism, whereas the pluralists, like James, saw "insipidity" as a greater danger - the "tame flabbiness," as Bourne put it, that was "accepted as Americanization.”

In their view, the rootless, emancipated, migratory individuals so highly prized by critics of particularism were cultural renegades who believed in nothing except their own right to a good time. Boas was impressed by the traits shared by all men and women, once the differences imposed by culture were peeled away. Royce and Bourne, like Brownson, attached more importance to cultural differences and to the loyalty they inspired. They were less concerned with the danger of competing loyalties than with the erosion of the very capacity for loyalty.

Even blind loyalty, Royce thought, was better than a "thoughtless individualism which is loyal to nothing."

Modern life gave rise to "social motives that seem to take away from people the true spirit of loyalty, and to leave them distracted, unsettled as to their moral standards, uncertain why or for what they live." Utilitarianism obscured the existence of "something much larger and richer than the mere sum of human happiness." The “spread of sympathy" and the spirit of universal philanthropy made people forget that when philanthropy was "not founded upon a personal loyalty of the individual to his own family and to his own personal duties," it became "notoriously a worthless abstraction.”

Those who sought "simply to help mankind as a whole," without first undertaking “to help those nearest to themselves," dissipated their energies. Since "a self is a life insofar as it is unified by a single purpose," moral passion had to be concentrated on particular objects, even at the risk of narrowness.

If these objects came into conflict with each other, Royce suggested, the principle of "loyalty to loyalty" might supply its own corrective. This was no empty phrase. It implied respect for a worthy opponent, not the liberal principle of live-and-let-live. When Royce left “to the individual the... choice of the cause," he did not mean that one cause was as good as another or that it was impossible, at any rate, to adjudicate their conflicting claims. Nor did he pretend that people holding conflicting opinions would agree not to push them to the point of open conflict, in view of the difficulty of defending the moral superiority of any one of them.

He assumed, on the contrary, that those moved by loyalty to a cause would defend it to the death. They would defend it, however, without hatred or bitterness and without denying their opponents' humanity. Loyalty to a cause, as Royce conceived it, carried with it an appreciation of loyalty for its own sake, without regard to the ends on behalf of which it was enlisted. In his Philosophy of Loyalty, he compared its effects to those of "divine grace in an older theology."

Those effects included both undeviating devotion to a cause that "must control you" and a respect for the same devotion in your enemies.

Royce argued, in effect, that respect for enemies was more likely to encourage men and women to treat each other as human beings than the denial of enmity or the fiction of universal brotherhood. Those who believed in their own cause were less likely to disparage others. For those animated by loyalty, "cheerful rivalry” prevailed in war as in sports.

Loyalty carried with it a refusal to allow the end to justify the means. It might lead to war, "but even then," it refused to "assail” whatever was "sincere and genuine" in the enemy's conduct. Loyalty encouraged "fair play in sport, chivalrous respect for the adversary in war, tolerance of the sincere beliefs of other men." It held the key to all the familiar mysteries about the right relation of the love of man to the strenuous virtues."

No doubt his concern with fair play will seem quaint to self-proclaimed realists who assume that conflict is inherently brutalizing and who therefore see conflict resolution as the overriding objective of political action. Royce had the good fortune to live in a time when it did not yet seem utterly absurd to speak of honor and warfare in the same breath.

In the twentieth century, of course, war has degenerated into cruelty on a grand scale, and peace, accordingly, has come to stand as the highest social good. We are all pacifists now.

But the vast and understandable revulsion from war - which has not led to a more peaceful world, incidentally - has had the unfortunate effect, as William James predicted it would, of discrediting the “permanent human goods” formerly associated with the ethic of honor, glory, and self-sacrifice. That would be bad enough, in the absence of a "moral equivalent” of war; but the loss of the virtues associated with loyalty has had the additional effect of making war itself (and by extension, every form of conflict) more bloodthirsty and degrading than it ever was in the past.

The twentieth-century degradation of war, far from discrediting Royce's argument, gives it additional support. Like James, Royce understood that peace and plenty were inadequate social goals and that it was more important to settle the "right relation of the love of man to the strenuous virtues." He did not mean that the "love of man" provided the corrective to the "strenuous virtues.” He meant that it depended on them. Loyalty to an abstraction like loyalty itself (with its respect for the principle of fair play) could take root only in loyalty to something quite specific.

The misguided attempt to remove the sources of social conflict by discouraging particularism, in the hope that brotherly love would then come into its own, killed the very possibility of brotherly love by cutting off its roots.

[Christopher Lasch]
The True and Only Heaven, p.357-9
 



This outburst, dashed off in the impetuous indignation of youth ready announced one of the themes of Niebuhr's mature work, the positive force of “fanaticism." "Liberalism is too intellectual and too little emotional to be an efficient force in history," Niebuhr told the readers of the New Republic.

Like Sorel, he believed that only "myths” had the power to inspire effective political action. Like James, he saw desiccation, in effect, as a greater menace than superstition and fanaticism."

Contending factions in a social struggle require morale," as he put it in Moral Man and Immoral Society (1932); “and morale is created by the right dogmas, symbols and emotionally potent oversimplifications.”

[Christopher Lasch]
The True and Only Heaven, p.370




A proper understanding of the function of social criticism requires us to reject the "standard view of the social critic as someone who breaks loose from his particular loyalties and views his own society from the outside—from an ideal point, as it were, equidistant from all societies."

In place of this disembodied or "desocialized” criticism, Walzer advocates “connected” criticism, which tries to steer between the universal and the particular, the abstract and the concrete.

Unconditional commitment to the universal tends to create an “ideologically flattened world” in which particular human beings disappear and the critic's “impartiality slides into a cold indifference." Unconditional commitment to the particular, on the other hand, leads to undiscriminating acquiescence in a community's good opinion of itself, to an acceptance of its self-serving illusions at face value.

Loyalty to a particular way of life, unless it is attentive to the disparity between profession and practice, undercuts the very possibility of social criticism, while the refusal of loyalty, on the grounds that the intellectual’s only allegiance is to truth and justice in the abstract, renders it harmless and irrelevant.

[Christopher Lasch]
The True and Only Heaven, p.423-4




The relevance of self-organisation becomes clear upon the adoption of a certain kind of systems thinking that attempts to incorporate and include rather than to falsify and ignore. It is a kind of thinking that is not horrified by contradictions and opposites but rather turns them into the forces that vitalise the system.

Variations of systems thinking have been with us since the dawn of philosophy. The position of Heraclitus provides a good example. For him, the basic principle of the universe was strife: war is common to all and strife is justice, and all things come into being and pass away through strife. Instead of privileging a specific element - as Thales did with water and Anaximenes with air - Heraclitus placed everything in mutual competition. In this dynamic tension 'all things come into being and pass away'.

A kind of systems thinking also governs the medieval theories concerning the four elements and their respective humours and principles. The ideal state of affairs occurs when all the elements are in balance, when they co-operate. This harmony was believed to be unobtainable in the fallen state of the world and therefore constant adjustment is necessary. Modern examples of systems thinking would include the linguistics of Saussure and Freudian psychology.

The postmodern denial of single meta-narratives, and its emphasis on the importance of difference and opposition, is not normally formulated in terms of 'population thinking' (to use the biological expression for the kind of systems thinking referred to here), but the similarities are undeniable.

[Paul Cilliers]
Complexity and Postmodernism, p.107




While the diplomacy of neutrality and intervention was moving along the lines we have described, a parallel diplomatic effort was being directed toward efforts to negotiate peace. These efforts were a failure but are, nonetheless, of considerable significance because they reveal the motivations and war aims of the belligerents.

They were a failure because any negotiated peace requires a willingness on both sides to make those concessions which will permit the continued survival of the enemy.

In 1914–1918, however, in order to win public support for total mobilization, each country’s propaganda had been directed toward a total victory for itself and total defeat for the enemy. In time, both sides became so enmeshed in their own propaganda that it became impossible to admit publicly one’s readiness to accept such lesser aims as any negotiated peace would require.

Moreover, as the tide of battle waxed and waned, giving alternate periods of elation and discouragement to both sides, the side which was temporarily elated became increasingly attached to the fetish of total victory and unwilling to accept the lesser aim of a negotiated peace. Accordingly, peace became possible only when war weariness had reached the point where one side concluded that even defeat was preferable to continuation of the war.

[Carroll Quigley]
Tragedy and Hope, p.159




Whatever its shortcomings, Schmitt’s account of politics captures the essential strangeness of the unfolding confrontation between the West and Islam.

This strangeness consists of the radical difference between the way the confrontation itself is viewed by the two sides. Perhaps never before in history has there been such a radical difference. The Islamic side retains a strong religious and political conception of reality; it views its struggle with the West as a matter more important than life and death, because Allah will judge his followers in the afterlife by how they performed in that struggle.

By contrast, on the Western side (if it can even be called a side), there is great confusion over what the fighting is for, and why there should be a civilizational war at all. An outright declaration of war against Islam would be unthinkable; we much prefer to think of these measures as police actions against a few unusual criminal sociopaths who happen to blow up buildings.

We are nervous about considering a larger meaning to the struggle, and even the staunchest Western partisans of war know that we no longer believe in the existence of a Gott mit uns in heaven.

[Peter Thiel]
‘The Straussian Moment’




The modern Western world is a deliberately secularized Christian world that has been moved away from existential concern with the deep, serious dimensions of human life—like those addressed by religion—towards commercialism and a doctrine of rights based on circumventing the difficult question ‘what is man’ […]

By moving away from the serious dimensions and all-important questions, the apostles of modernity may have believed they were moving away from the deepest sources of conflict […] But Strauss once wrote as follows:

“Agreement at all costs is possible only as agreement at the cost of the meaning of human life; for agreement at all costs is possible only if man has relinquished asking the question of what is right; and if man relinquishes that question, he relinquishes being a man. But if he seriously asks the question of what is right, the quarrel will be ignited … the life-and-death quarrel: the political—the grouping of humanity into friends and enemies—owes its legitimation to the seriousness of the question of what is right.”

We cannot relinquish our humanity: modernity is not enough. But neither can we accept Schmitt’s agonistic re-politicization of the West vis-a-vis Islam, Thiel argues, since that risks “doing away with everything that fundamentally distinguishes the modern West from Islam” and would therefore be a “Pyrrhic victory.” Western re-politicization would amount to a kind of mimetic rivalry with the Islamic world, and mimetic rivalry leads to runaway violence.

So, we need the political, but not in the way Schmitt gave it to us.

[Michael Millerman]
‘The End of the Straussian Moment?’




My announcement at the end of September that Click Opera would end in February elicited some interesting reactions. The bit that seemed to spark the most empathy with Simon Reynolds and Mark Fisher was my anti-dialectical, anti-democratic point (if by dialectics and democracy we mean OMG WTF Web 2.0 ghost-sparring) that "Click Opera has been a sort of karate course, and its comment facility has taught me to be more dialectical and -- above all -- the skill set of prolepsis, of anticipating reader objections.

But is a more moderate, accessible and dialectical me really what the world needs? Doesn't the world need an immoderate, outrageous and concentrated me, just laying out things that only I could think, no matter how wrong they may be?"

Simon Reynolds on his Blissblog responded: "Yeah I agree prolepsis sucks, it seems to have taken a lot of the categorical oomph and thrust out of writing, unless you're just utterly bullheaded you will inevitably find yourself riddling what you do with qualification and nuancing... Strangely, prolepsis rarely seems to afflict comments boxers... but i guess they can shelter under aliases or "anonymous," they don't have to own their utterances in the same way."

Mark Fisher makes a similar point on his K-Punk blog: "For me, the answer is clear - I certainly don't want writers who "respond to criticisms", who patiently deal with "feedback", no matter how hostile and uncomprehending. I want writers who have the courage to pursue their own lines. What's interesting, I suppose, is the libidinal impulses at work in those who don't want that - who would rather have a writer spending their time on discussion boards and in comments boxes defending themselves, nuancing their position into innocuous irrelevance, or effectively abandoning it altogether in the name of some vacuous commitment to "debate".

[Momus]
'Tactics, not skirmishes', Click Opera




In its relation with the other the force which makes itself obeyed does not deny the other or that which it is not, it affirms its own difference and enjoys this difference.

For the speculative element of negation, opposition or contradiction Nietzsche substitutes the practical element of difference, the object of affirmation and enjoyment. What a will wants is to affirm its difference. In its essential relation with the "other" a will makes its difference an object of affirmation. "The pleasure of knowing oneself different", the enjoyment of difference [...]

Nietzsche's "yes" is opposed to the dialectical "no"; affirmation to dialectical negation; difference to dialectical contradiction; joy, enjoyment, to dialectical labour; lightness, dance, to dialectical responsibilities. The empirical feeling of difference, in short hierarchy, is the essential motor of the concept, deeper and more effective than all thought about contradiction.

[Gilles Deleuze]
Nietzsche and Philosophy, p.9



Related posts:

The Aesthetic Life




Aesthetic Life    -         Ethical Life
Separate             -         Connected




Although it may not seem so at first glance, there is a sense in which liberalism has facilitated Winnicott’s ideal of creative living. We can see it more clearly if we look through the lens of Schmitt’s critique of the romantic.

Schmitt characterises the romantic (i.e. the artist) as a sort of Peter Pan, someone who evades all determinisms and commitments, and remains untethered at all times. The romantic retains the right to question everything and commit to nothing, and so is in many ways the ideal liberal - the free, atomised, and autonomous individual.

It is the aesthetic life that underlies the norms of therapy.

The breakdown of tradition means a loss of the background ‘narrative unity’ which contains and gives sense and purpose to every act, initiating a movement from the 'ethical life' to the 'aesthetic life'

In the aesthetic life, we need the virtue of constancy in order to hold the narrative together against the kind of dissolutive forces that tradition held at bay. We are now faced with moral dilemmas, or choices, in which ‘good’ choices reinforce unity and ‘bad’ choices damage it.
 



The subject who is limited to its own experience and who, in spite of this, wants to develop a productivity because it prefers not to give up the pretension of meaning something as a subject attempts to shape its experience in an artistic fashion.

This is the psychic fact that is the basis of an interest that is only aesthetic.

[Carl Schmitt]
Political Romanticism, p.103
 



Every political activity — regardless of whether its content is merely the technique of conquest, the claim or the expansion of political power, or whether it rests on a legal or a moral decision – conflicts with the essentially aesthetic nature of the romantic.

Because the concrete point around which the romantic novel develops is always merely occasional, everything can become romantic. In such a world, all political or religious distinctions are dissolved into an interesting ambiguity.

The king is a romantic figure as well as the anarchist conspirator, and the caliph of Baghdad is no less romantic than the patriarch of Jerusalem. Here everything can be substituted for everything else.

[…] the connection between subjectivism and sensualism that is exhibited in Greek sophistry also nullified all objectivity and made substantive argument into a capricious productivity of the subject. The orator felt no other sense of responsibility than that of speaking well, and he knew no other satisfaction than the pleasure taken in the well-executed, artistic form of his speech.

The essential contradiction of the romantic — which, especially in political romanticism, justifies the impression of inner untruthfulness - is that the romantic, in the organic passivity that belongs to his occasionalist structure, wants to be productive without becoming active.

[…] it is linked with the half lyrical, half intellectualistic accompaniment of the activity of another person […] following political events with marginal character glosses, catch phrases, viewpoints, emphases and antitheses, allusions and permutational comparisons, often agitated and excited, but always without making its own decision and assuming its own responsibility and risk.

Political activity is not possible in this way. But criticism is, which can discuss everything and inflate it ideologically, revolution as well as restoration, war and peace, nationalism and internationalism, imperialism and its renunciation.

Here as well, its method was the occasionalist departure from the domain to which the disputed opposition belongs, from the domain of the political into the higher domain.

[Carl Schmitt]
Political Romanticism, p.158-9




Regardless of whether the final and inclusive member of the sequence is called God or the state, the ego or history, the idea or organic development, the result is invariably that all activity of the individual person consists in the fact that he is a “sympathetic fellow traveler.”

Even when Müller and Schlegel call the age evil and juxtapose the good principle to an evil one, this is not to be understood as a moral decision. They do not propose to take sides, which everyone has to do who speaks of good and evil in the moral sense and distinguishes right from wrong.

[…] So how did he arrive at his rejection? The same way he arrives at affirmations. They are accompanying emotional states with which he sympathetically follows historical development, because he is really interested only in feeling and poetry.

[Carl Schmitt]
Political Romanticism, p. 122-3
 



[…] they do not mean that the author wants to make up his mind in the usual sense and set to work in the external world. 

This is something he simply could not do without realizing his unlimited possibilities in a limited reality, without emerging from his subjectivistic creativity and concerning himself with the mechanism of cause and effect or with normative ties.

He could not make up his mind without relinquishing his superior irony; in other words, without giving up his romantic situation. The romantic wants to do nothing except experience and paraphrase his experience in an emotionally impressive fashion.

[Carl Schmitt]
Political Romanticism, p.100
 



James presented this “dramatic,” “gnostic,” “subjectivist,” and “romantic” view of the world so attractively that a careless reader might have mistaken it for his own. He went on to argue, however, that an aesthetic orientation to experience led to “ethical indifference.”

It transformed life “from a tragic reality into an insincere melodramatic exhibition, as foul or as tawdry as any one’s diseased curiosity pleases to carry it out.” It gave rise to the cult of “sensibility” exemplified by “contemporary Parisian literature,” the cynical complacency that saw the world as an experimental novel.

It was therefore with a sense of relief that one awoke from the “feverish dream” of sensibility into a renewed appreciation of the “unsophisticated moral sense,” which wanted the world to be better than it was and resolved to act, instead of merely drinking in the spectacle, so as to reduce the sum of evil in the world.

[Christopher Lasch]
The True and Only Heaven, p. 288-9




"Democracy" came to refer to the "thoughtways of a knowledgeable society," in Lane's words—a capacity for abstraction, tolerance of ambiguity, rejection of "philosophical idealism" and "theological and metaphysical modes of thought," acceptance of “mathematical modes of expression."

These habits of thought defined an intellectual ideal of open-mindedness and an ethical ideal of tolerance, mutual respect, and suspended judgment. 

If the "moral perspectives" typical of authoritarianism rested on "crude and mechanical assumptions about human behavior," as Robert Endleman argued in a “composite portrait” of blue-collar workers, then a more enlightened morality had to rest on the academic and therapeutic virtues.

It had to rest on a respect for human potential, an aversion to pain and suffering, a critical attitude toward authority, a refusal to be governed by traditional precepts, and a belief that most conflicts could be resolved by submitting them to the arbitration of knowledgeable experts.

By reformulating these values as psychological norms, the professional-managerial class made it possible to dismiss dissent from the educated consensus as evidence of emotional and cultural backwardness. Members of the educated elite upheld open-mindedness as the supreme political virtue but refused to debate their own idea of the good life, perhaps because they suspected that it could not withstand exposure to more vigorous ideas.

[Christopher Lasch]
The True and Only Heaven, p.467-8




When Kierkegaard contrasted the ethical and the aesthetic ways of life in Enten-Eller, he argued that the aesthetic life is one in which a human life is dissolved into a series of separate present moments, in which the unity of a human life disappears from view.

By contrast in the ethical life the commitments and responsibilities to the future springing from past episodes in which obligations were conceived and debts assumed unite the present to past and to future in such a way as to make of a human life a unity. The unity to which Kierkegaard refers is that narrative unity whose central place in the life of the virtues I identified in the preceding chapter.

By the time Jane Austen writes that unity can no longer be treated as a mere presupposition or context for a virtuous life. It has itself to be continually reaffirmed and its reaffirmation in deed rather than in word is the virtue which Jane Austen calls constancy.

[...] constancy requires a recognition of a particular kind of threat to the integrity of the personality in the peculiarly modern social world [...]

[Alasdair MacIntyre]
After Virtue, p.280-1




[...] it is quite clear that the poet or the saga writer claims for himself a kind of understanding which is denied to the characters about whom he writes. The poet does not suffer from the limitations which define the essential condition of his characters. Consider especially the Iliad.

[...] defeat is not the Homeric poet's moral horizon, and it is precisely by reason of this difference that the Homer of the Iliad transcends the limitations of the society which he portrays.

The poet is not a theorist; he offers no general formulas. His own knowledge is indeed at a more general and abstract level than that even of his most insightful characters.

Thus the Iliad puts in question what neither Achilles nor Hector can put in question; the poem lay claim to a form of understanding which it denies to those whose actions it describes.

[Alasdair MacIntyre]
After Virtue, p.146, 149




Both of these urges are existentialist. They give rise to isolated acts that have no significant context.

Thus an act of loving or helping has no sequence of causes leading up to it or of consequences flowing from it. It stands alone as an isolated experience of togetherness and of brief human sharing. This failure or lack of context for each experience means a failure or lack of meaning, for meaning and significance arise from context; that is, from the relationship of the particular experience to the whole picture.

But today’s youth has no concern for the whole picture; they have rejected the past and have very little faith in the future. Their rejection of intellect and their lack of faith in human reason gives them no hope that any meaning can be found for any experience, so each experience becomes an end in itself, isolated from every other experience.

This skepticism about meaning, closely allied with their rejection of organizations and of abstractions, is also closely related with a failure of responsibility. Since consequences are divorced from the act or experience itself, the youth is not bound by any relationship between the two. The result is a large-scale irresponsibility.

We need a culture that will produce people eager to do things, but we need even more a culture that will make it possible to decide what to do. This is the old division of means and goals. Decisions about goals require values, meaning, context, perspective. They can be set, even tentatively and approximately, only by people who have some inkling of the whole picture.

The middle-class culture of our past ignored the whole picture and destroyed our ability to see it by its emphasis on specialization. Just as mass production came to be based on specialization, so human preparation for making decisions about goals also became based on specialization.

[Carroll Quigley]
Tragedy and Hope, ‘The Future in Perspective,’ p.804-5, 808



Related posts:

The Right Conditions





In the liberal bourgeois world, the detached, isolated, and emancipated individual becomes the middle point, the court of last resort, the absolute.

Naturally the illusion of being God could be maintained only in pantheistic or panentheistic sentiments. In psychological reality, therefore, it combined with other, less subjectivistic affects. The subject always claimed, however, that his experience was the only thing of interest. 

This claim can be realized only in a bourgeois order based on rules. Otherwise the "external conditions" for the undisturbed occupation with one's own mood are not satisfied. Psychologically and historically, romanticism is a product of bourgeois security. 

One could fail to recognize this only as long as one committed the error of considering as romanticism itself things that happen to be favorite romantic objects, such as chivalry and the Middle Ages - in other words, sundry themes and occasions of the romantic interest. A robber knight can be a romantic figure, but he is not a romantic. The Middle Ages is a powerfully romanticised complex, but it is not romantic.

[Carl Schmitt]
Political Romanticism, p. 99



Related posts:

Mundane Metaphysics





Today, many varieties of metaphysical attitude exist in a secularized form. To a great extent, it holds true that different and, indeed, mundane factors have taken the place of God: humanity, the nation, the individual, historical development, or even life as life for its own sake, in its complete spiritual emptiness and mere dynamic.

This does not mean that the attitude is no longer metaphysical. The thought and feeling of every person always retain a certain metaphysical character. Metaphysics is something that is unavoidable, and - as Otto von Gierke has aptly remarked - we cannot escape it by relinquishing our awareness of it.

What human beings regard as the ultimate, absolute authority, however, certainly can change, and God can be replaced by mundane and worldly factors. I call this secularization.

That is the issue here, not the equally significant but comparatively superficial cases that directly impress themselves on the historical and sociological observer: for example, the fact that the Church is replaced by the theater, the religious is treated as material for a drama or an opera, and the house of God is treated as a museum; the fact that in modern society the artist, at least in relation to his public, sociologically avails himself of certain functions of the priest, often in a comically deformed manner, and turns a stream of emotions that belong to the priest onto the genius of his own private person; the fact that a poetry arises that lives off cultic and liturgical aftereffects and reminiscences that it squanders away into the profane — and also a music, of which Baudelaire said, in a phrase almost apocalyptic, that it undermines heaven.

The transformations in the metaphysical sphere lie even deeper than such forms of secularization [...] Here, ever new factors appear as absolute authorities, even though the metaphysical structure and attitude remain.

[Carl Schmitt]
Political Romanticism, p. 17-18



Related posts:

The Romantic Attitude





The romantic attitude is most clearly characterised by means of a singular concept, that of the occasio. This concept can be rendered in terms of ideas such as occasion, opportunity, and perhaps also chance.

It negates the concept of causa, in other words, the force of a calculable causality, and thus also every binding norm. It is a disintegrative concept. This is because everything that gives consistency and order to life and to what takes place – regardless of whether it is the mechanical calculability of the causal, or a purposive or normative nexus — is incompatible with the idea of the merely occasional. Wherever the opportune and the accidental become principles, an immense preeminence over such binding forces arises.

Romanticism is subjectified occasionalism. In other words, in the romantic, the romantic subject treats the world as an occasion and an opportunity for his romantic productivity [...] an occasional relationship to the world is essential to it.

Instead of God, however, the romantic subject occupies the central position and makes the world and everything that occurs in it into a mere occasion. Because the final authority is shifted from God to the genius of the “ego," the entire foreground changes, and that which is genuinely occasionalistic appears in a pristine fashion.

It is true that the old philosophers of occasionalism, such as Malebranche, also possessed the disintegrative concept of the occasio. However, they recovered law and order in God, the objective absolute. And in the same way, a certain objectivity and cohesion always remain possible whenever another objective authority, like the state, takes the place of God in such an occasionalist attitude.

It is different, however, when the isolated and emancipated individual brings his occasional attitude to realization. Only now does the occasional display the total consistency of its repudiation of all consistency. Only now can everything really become the occasion for everything else. Only now does everything that will happen and all sequential order become incalculable in a fantastic manner, which is precisely the immense attraction of this attitude.

That is because this attitude makes it possible to take any concrete point as a departure and stray into the infinite and the incomprehensible - either in an emotionally fervent fashion or in a demonically malicious fashion, depending upon the individuality of the particular romantic. 

A world that is ever new arises from ever new opportunities. But it is always a world that is only occasional, a world without substance and functional cohesion, without a fixed direction, without consistency and definition, without decision, without a final court of appeal, continuing into infinity and led only by the magic hand of chance.

In this world, the romantic can make everything into the vehicle of his romantic interest; he can have the illusion, which here as well may be harmless or perfidious, that the world is only an occasion.

In every other intellectual sphere, including that of everyday reality, this attitude would immediately become ridiculous and impossible. In the romantic, on the other hand, a special aesthetic achievement takes place: Between the point of concrete reality that serves as an incidental occasion and the creative romantic, an interesting, colorful world arises that often has an amazing aesthetic attraction. We can assent to it aesthetically, but taking it seriously in a moral or objective fashion would call for an ironic mode of treatment.

It is only in an individualistically disintegrated society that the aesthetically productive subject could shift the intellectual center into itself, only in a bourgeois world that isolates the individual in the domain of the intellectual, makes the individual its own point of reference, and imposes upon it the entire burden that otherwise was hierarchically distributed among different functions in a social order.

In this society, it is left to the private individual to be his own priest. But not only that. Because of the central significance and consistency of the religious, it is also left to him to be his own poet, his own philosopher, his own king, and his own master builder in the cathedral of his personality. 

The ultimate roots of romanticism and the romantic phenomenon lie in the private priesthood.

[Carl Schmitt]
Political Romanticism, p. 16-20




The decision however, — the complete incompatibility of the romantic with any moral, legal, or political standard — follows only from the structure of the romantic as an occasionalist consent oriented to aesthetic productivity.

Here experience is no doubt in quest of an artistic expression, but not logical-conceptual or moral-normative clarity. This is why the romantic lacks any sense of the limits of the efficacy of the state as well as the limits of the individual.

Adam Müller's amoral appreciation of everything and its opposite; his passion for mediating everywhere; his "cosmic tolerance," which so alarmed Gentz because in that case "there is no longer anything that one could love and honestly hate”; his effeminate passivity, to which he knew how to bend the aversion of Burke, de Maistre, and Bonald for artificial “fabrication”; and his emotional pantheism, which is basically always in agreement with everything and approves of everything - all this can probably be explained in an individual-psychological fashion as well, as a consequence of his feminine and vegetative nature.

For romantic aestheticism, however, all these factors amounted to the appropriate psychic and physical disposition. That is because they referred the subject entirely to its own emotional states and to the aesthetic productivity that is satisfied with the elaboration of affect.

Müller can do nothing but pursue an occupation with himself, regardless of whether he is engaging in astrology (or today in psychoanalysis, or at some future point perhaps in astrology again) or composing his rejection of the aestheticism of others. He was always ready to surrender himself. Nevertheless, he at least wanted to extract portentous words and images from the emotional state of surrender. This was his activity.

For the rest, he stood with his material at the immediate disposal of every powerful suggestion. Because he was without his own center of gravity and was not constrained by matter-of-fact experience and his own responsibility, the consistency of the view that impressed him at any given time easily carried him to the extremes of its program.

He can understand everything and approve it at his pleasure. That is because everything can become material for his work of aesthetic formation.

The master of the Lehre vom Gegensatz was incapable of seeing any polarity except that of an aesthetic contrast. Neither logical distinctions, nor moral value judgments, nor political decisions are possible for him. The most important source of political vitality, the belief in justice and an indignation over injustice, does not exist for him.

[Carl Schmitt]
Political Romanticism, p. 127-9




The historical discussion of those developments which made the victories of emotivism possible has now revealed something else about these specifically modern characters [the aesthete, the therapist and the manager, the bureaucratic expert], namely the extent to which they trade and cannot escape trading in moral fictions. But how far does the range of moral fiction extend beyond those of rights and utility? And who is going to be deceived by them?

The aesthete is the character least likely to be their victim. Those insolent scoundrels of the philosophical imagination, Diderot's Rameau and Kierkegaard's 'A', who lounge so insolently at the entrance to the modern world, specialize in seeing through illusory and fictitious claims.

If they are deceived, it is only by their own cynicism. When aesthetic deception occurs in the modern world, it is rather because of the reluctance of the aesthete to admit that that is what he is.

And if over-indulgence in despair seems to be injuring his capacities for enjoyment, he will take himself to the therapist, just as he would for over-indulgence in alcohol, and make of his therapy one more aesthetic experience.

[Alasdair MacIntyre]
After Virtue, p.87



Related posts:

Objective / Subjective




Subjective                           -                      Objective
Personal                              -                      Universal
Individual                           -                      Collective




There is something for Peirce that transcends the individual interpretation of the interpreter, and it is the transcendental idea of a community, a community as a transcendental principle. 

This principle is not transcendental in the Kantian sense, because it does not come before but after the semiosic process; it is not the structure of the human mind that produces the interpretation but the reality that the semiosis builds up. 

Anyway, from the moment in which the community is pulled to agree with a given interpretation, there is, if not an objective, at least an intersubjective meaning which acquires a privilege over any other possible interpretation spelled out without the agreement of the community. 

The thought or opinion that defines reality must therefore belong to a community of knowers, and this community must be structured and disciplined in accordance with supra-individual principles. 

The real is “the idea in which the community ultimately settles down”. “The opinion which is fated to be ultimately agreed to by all who investigate is what we mean by the truth, and the object represented in this opinion is the real”.

“The real, then, is what, sooner or later, information and reasoning would finally result in, and which is therefore independent of the vagaries of me and you ... The very origin of the conception of reality shows that this conception essentially involves the notion of a community”.

There is community because there is no intuition in the Cartesian sense. The transcendental meaning is not there and cannot be grasped by an eidetic intuition: Derrida was correct in saying that the phenomenology of Peirce does not - like Husserl's - reveal a presence. But if the sign does not reveal the thing itself, the process of semiosis produces in the long run a socially shared notion of the thing that the community is engaged to take as if it were in itself true. The transcendental meaning is not at the origins of the process but must be postulated as a possible and transitory end of every process.

In the Peircean line of thought it can be asserted that any community of interpreters, in the course of their common inquiry about what kind of object the text they are reading is, can frequently reach (even though nondefinitively and in a fallible way) an agreement about it. 

[…] to reach an agreement about the nature of a given text does not mean either (a) that the interpreters must trace back to the original intention of its author or (b) that such a text must have a unique and final meaning. There are “open” texts that support multiple interpretations, and any common agreement about them ought to concern just their open nature and the textual strategies that make them work that way.

But, even though the interpreters cannot decide which interpretation is the privileged one, they can agree on the fact that certain interpretations are not contextually legitimated. Thus, even though using a text as a playground for implementing unlimited semiosis, they can agree that at certain moments the “play of amusement” can transitorily stop by producing a consensual judgement. 

[Umberto Eco]
The Limits of Interpretation, p. 40-42




"The Struggle" against domination has therefore splintered into micro-struggles extending on so many different planes that there is no need, and in any case no way, to link them all up on a macro-systemic level.

So one cultivates "radical" subjectivity through practices that methodologically refuse the big picture ("bad" totality).

With audible relief, one relinquishes, as naiveté or will-to-power, the ambition to destroy the structures of exploitation.

Having been a student in the mid-1990s, I can vividly recall how attractive and obvious these ideas seemed. For me and for the artists I knew and worked with then, they appeared more radical and empowering than anything else on offer. It would take some more years of critical work and experience to emerge on the other side of them. Some never did.

The fact is, this reductionist soup is a vulgarization of Foucault-Deleuze-Guattari-Lyotard-Derrida-Baudrillard that represses, precisely, the commitments of these critical theorists. About the real histories and practical contexts in which they struggled, in some cases militantly, one remains sublimely uninformed. Taken out of context and run together into a concoction sloppily called "post-modernism," these distinct bodies of theory and practice are cooked down to some purported basis of post-political ironic relativism.

It follows that, obviously, the old avant-gardes are laughable relics, utterly and irredeemably passé and uncool. Predictably, this kind of thing is often transmitted, in the form of (an) attitude, to students who haven't yet learned or read enough to make minimally critical choices about it and who, as result, will never immerse themselves in avant-garde histories. (Why bother?)

Again, I'm not suggesting that students and artists should slavishly be repeating these histories. The point is that in order to receive and repurpose them, it is necessary to first go through the trouble of learning them.

[Gene Ray]
Art Schools Burning and Other Songs of Love and War, Chap. IV, para. 1-2
Full text here




In 1958 I wrote the following:

'There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false. A thing is not necessarily either true or false; it can be both true and false.'

I believe that these assertions still make sense and do still apply to the exploration of reality through art. So as a writer I stand by them but as a citizen I cannot. 

As a citizen I must ask: What is true? What is false?

[Harold Pinter]
Nobel Lecture, 'Art, Truth & Politics'





orange/GREEN replaces the certainties of BLUE truth and ORANGE tried-and-true-experience with relativism. With so many equally good possibilities, maybe none is invariably best. Perhaps everyone is right in her/his own way, one time or another.

It is this amorphous, context-sensitive aspect of GREEN which so disturbs clear-cut BLUE and impatient ORANGE - situational ethics, cultural relativism, and Outcome-Based Education (no grades, nobody fails), for example.

[Don Edward Beck & Christopher C. Cowan]
Spiral Dynamics, p.263




This conception in all its forms, Platonic, Aristotelian, Stoic, Christian, and Oriental alike, I shall henceforth refer to for brevity simply as ‘the Tao'. 

Some of the accounts of it which I have quoted will seem, perhaps, to many of you merely quaint or even magical. But what is common to them all is something we cannot neglect. It is the doctrine of objective value, the belief that certain attitudes are really true, and others really false, to the kind of thing the universe is and the kind of things we are. 

Those who know the Tao can hold that to call children delightful or old men venerable is not simply to record a psychological fact about our own parental or filial emotions at the moment, but to recognize a quality which demands a certain response from us whether we make it or not. 

I myself do not enjoy the society of small children: because I speak from within the Tao I recognize this as a defect in myself - just as a man may have to recognize that he is tone deaf or colour blind.

[C.S. Lewis]
‘The Abolition of Man’, Selected Books, p. 405




As long as the romantic believed that he was himself the transcendental ego, he did not have to be troubled by the question of the true cause: he was himself the creator of the world in which he lived.

[Carl Schmitt]
Political Romanticism, p. 91
 


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