Showing posts with label Momus. Show all posts
Showing posts with label Momus. Show all posts

Commitment




Uncommitted    -         Committed
Universal          -          Particular
Unbiased           -          Biased
Global               -          Local
Tepid                 -          Vivid
Many                 -          Few
Disconnected    -          Connected




[…] Don Quixote [is] a romantic political figure, but not a political romantic.

Instead of seeing the higher harmony, he was capable of seeing the difference between right and wrong and of making a decision in favor of what seemed right to him, a capacity that the political romantic lacks […]

[…] the ability to make a decision between right and wrong […] is the principle of every political energy […] Where political activity begins, political romanticism ends […] Romantic activity […] is a contradiction in terms. 

Any relationship to a legal or moral judgment would be incongruous […] and every norm would seem to be an antiromantic tyranny. A legal or a moral decision would be senseless and it would inevitably destroy romanticism. This is why the romantic is not in a position to deliberately take sides and make a decision.

On romantic grounds, he cannot even decisively reject the theory of the state that proceeds from the view that man is "evil by nature.” Even if many romantics find this theory uncongenial, there is still the possibility of romanticizing this wicked person, the “beast,” as long as he only remains sufficiently remote.

From the standpoint of romanticism, what is at stake is something higher than a decision.

[Carl Schmitt]
Political Romanticism, p. 116, 124, 147, 160




Strauss too perceives an inner insincerity and a subjective tyranny in the romantic. He explains it […] in terms of the inner uncertainty in a conflict between antagonistic forces.

[Carl Schmitt]
Political Romanticism, p.151




If Royce and Bourne failed to give enough attention to the reconciliation of conflicts and the mechanisms of social cohesion, it was because they saw desiccation as a greater danger than social conflict.

The debate about cultural pluralism came down to the issue posed by William James in his exchange with Hobhouse. The assimilationists, like Hobhouse, worried about intolerance and fanaticism, whereas the pluralists, like James, saw "insipidity" as a greater danger - the "tame flabbiness," as Bourne put it, that was "accepted as Americanization.”

In their view, the rootless, emancipated, migratory individuals so highly prized by critics of particularism were cultural renegades who believed in nothing except their own right to a good time. Boas was impressed by the traits shared by all men and women, once the differences imposed by culture were peeled away. Royce and Bourne, like Brownson, attached more importance to cultural differences and to the loyalty they inspired. They were less concerned with the danger of competing loyalties than with the erosion of the very capacity for loyalty.

Even blind loyalty, Royce thought, was better than a "thoughtless individualism which is loyal to nothing."

Modern life gave rise to "social motives that seem to take away from people the true spirit of loyalty, and to leave them distracted, unsettled as to their moral standards, uncertain why or for what they live." Utilitarianism obscured the existence of "something much larger and richer than the mere sum of human happiness." The “spread of sympathy" and the spirit of universal philanthropy made people forget that when philanthropy was "not founded upon a personal loyalty of the individual to his own family and to his own personal duties," it became "notoriously a worthless abstraction.”

Those who sought "simply to help mankind as a whole," without first undertaking “to help those nearest to themselves," dissipated their energies. Since "a self is a life insofar as it is unified by a single purpose," moral passion had to be concentrated on particular objects, even at the risk of narrowness.

If these objects came into conflict with each other, Royce suggested, the principle of "loyalty to loyalty" might supply its own corrective. This was no empty phrase. It implied respect for a worthy opponent, not the liberal principle of live-and-let-live. When Royce left “to the individual the... choice of the cause," he did not mean that one cause was as good as another or that it was impossible, at any rate, to adjudicate their conflicting claims. Nor did he pretend that people holding conflicting opinions would agree not to push them to the point of open conflict, in view of the difficulty of defending the moral superiority of any one of them.

He assumed, on the contrary, that those moved by loyalty to a cause would defend it to the death. They would defend it, however, without hatred or bitterness and without denying their opponents' humanity. Loyalty to a cause, as Royce conceived it, carried with it an appreciation of loyalty for its own sake, without regard to the ends on behalf of which it was enlisted. In his Philosophy of Loyalty, he compared its effects to those of "divine grace in an older theology."

Those effects included both undeviating devotion to a cause that "must control you" and a respect for the same devotion in your enemies.

Royce argued, in effect, that respect for enemies was more likely to encourage men and women to treat each other as human beings than the denial of enmity or the fiction of universal brotherhood. Those who believed in their own cause were less likely to disparage others. For those animated by loyalty, "cheerful rivalry” prevailed in war as in sports.

Loyalty carried with it a refusal to allow the end to justify the means. It might lead to war, "but even then," it refused to "assail” whatever was "sincere and genuine" in the enemy's conduct. Loyalty encouraged "fair play in sport, chivalrous respect for the adversary in war, tolerance of the sincere beliefs of other men." It held the key to all the familiar mysteries about the right relation of the love of man to the strenuous virtues."

No doubt his concern with fair play will seem quaint to self-proclaimed realists who assume that conflict is inherently brutalizing and who therefore see conflict resolution as the overriding objective of political action. Royce had the good fortune to live in a time when it did not yet seem utterly absurd to speak of honor and warfare in the same breath.

In the twentieth century, of course, war has degenerated into cruelty on a grand scale, and peace, accordingly, has come to stand as the highest social good. We are all pacifists now.

But the vast and understandable revulsion from war - which has not led to a more peaceful world, incidentally - has had the unfortunate effect, as William James predicted it would, of discrediting the “permanent human goods” formerly associated with the ethic of honor, glory, and self-sacrifice. That would be bad enough, in the absence of a "moral equivalent” of war; but the loss of the virtues associated with loyalty has had the additional effect of making war itself (and by extension, every form of conflict) more bloodthirsty and degrading than it ever was in the past.

The twentieth-century degradation of war, far from discrediting Royce's argument, gives it additional support. Like James, Royce understood that peace and plenty were inadequate social goals and that it was more important to settle the "right relation of the love of man to the strenuous virtues." He did not mean that the "love of man" provided the corrective to the "strenuous virtues.” He meant that it depended on them. Loyalty to an abstraction like loyalty itself (with its respect for the principle of fair play) could take root only in loyalty to something quite specific.

The misguided attempt to remove the sources of social conflict by discouraging particularism, in the hope that brotherly love would then come into its own, killed the very possibility of brotherly love by cutting off its roots.

[Christopher Lasch]
The True and Only Heaven, p.357-9
 



This outburst, dashed off in the impetuous indignation of youth ready announced one of the themes of Niebuhr's mature work, the positive force of “fanaticism." "Liberalism is too intellectual and too little emotional to be an efficient force in history," Niebuhr told the readers of the New Republic.

Like Sorel, he believed that only "myths” had the power to inspire effective political action. Like James, he saw desiccation, in effect, as a greater menace than superstition and fanaticism."

Contending factions in a social struggle require morale," as he put it in Moral Man and Immoral Society (1932); “and morale is created by the right dogmas, symbols and emotionally potent oversimplifications.”

[Christopher Lasch]
The True and Only Heaven, p.370




A proper understanding of the function of social criticism requires us to reject the "standard view of the social critic as someone who breaks loose from his particular loyalties and views his own society from the outside—from an ideal point, as it were, equidistant from all societies."

In place of this disembodied or "desocialized” criticism, Walzer advocates “connected” criticism, which tries to steer between the universal and the particular, the abstract and the concrete.

Unconditional commitment to the universal tends to create an “ideologically flattened world” in which particular human beings disappear and the critic's “impartiality slides into a cold indifference." Unconditional commitment to the particular, on the other hand, leads to undiscriminating acquiescence in a community's good opinion of itself, to an acceptance of its self-serving illusions at face value.

Loyalty to a particular way of life, unless it is attentive to the disparity between profession and practice, undercuts the very possibility of social criticism, while the refusal of loyalty, on the grounds that the intellectual’s only allegiance is to truth and justice in the abstract, renders it harmless and irrelevant.

[Christopher Lasch]
The True and Only Heaven, p.423-4




The relevance of self-organisation becomes clear upon the adoption of a certain kind of systems thinking that attempts to incorporate and include rather than to falsify and ignore. It is a kind of thinking that is not horrified by contradictions and opposites but rather turns them into the forces that vitalise the system.

Variations of systems thinking have been with us since the dawn of philosophy. The position of Heraclitus provides a good example. For him, the basic principle of the universe was strife: war is common to all and strife is justice, and all things come into being and pass away through strife. Instead of privileging a specific element - as Thales did with water and Anaximenes with air - Heraclitus placed everything in mutual competition. In this dynamic tension 'all things come into being and pass away'.

A kind of systems thinking also governs the medieval theories concerning the four elements and their respective humours and principles. The ideal state of affairs occurs when all the elements are in balance, when they co-operate. This harmony was believed to be unobtainable in the fallen state of the world and therefore constant adjustment is necessary. Modern examples of systems thinking would include the linguistics of Saussure and Freudian psychology.

The postmodern denial of single meta-narratives, and its emphasis on the importance of difference and opposition, is not normally formulated in terms of 'population thinking' (to use the biological expression for the kind of systems thinking referred to here), but the similarities are undeniable.

[Paul Cilliers]
Complexity and Postmodernism, p.107




While the diplomacy of neutrality and intervention was moving along the lines we have described, a parallel diplomatic effort was being directed toward efforts to negotiate peace. These efforts were a failure but are, nonetheless, of considerable significance because they reveal the motivations and war aims of the belligerents.

They were a failure because any negotiated peace requires a willingness on both sides to make those concessions which will permit the continued survival of the enemy.

In 1914–1918, however, in order to win public support for total mobilization, each country’s propaganda had been directed toward a total victory for itself and total defeat for the enemy. In time, both sides became so enmeshed in their own propaganda that it became impossible to admit publicly one’s readiness to accept such lesser aims as any negotiated peace would require.

Moreover, as the tide of battle waxed and waned, giving alternate periods of elation and discouragement to both sides, the side which was temporarily elated became increasingly attached to the fetish of total victory and unwilling to accept the lesser aim of a negotiated peace. Accordingly, peace became possible only when war weariness had reached the point where one side concluded that even defeat was preferable to continuation of the war.

[Carroll Quigley]
Tragedy and Hope, p.159




Whatever its shortcomings, Schmitt’s account of politics captures the essential strangeness of the unfolding confrontation between the West and Islam.

This strangeness consists of the radical difference between the way the confrontation itself is viewed by the two sides. Perhaps never before in history has there been such a radical difference. The Islamic side retains a strong religious and political conception of reality; it views its struggle with the West as a matter more important than life and death, because Allah will judge his followers in the afterlife by how they performed in that struggle.

By contrast, on the Western side (if it can even be called a side), there is great confusion over what the fighting is for, and why there should be a civilizational war at all. An outright declaration of war against Islam would be unthinkable; we much prefer to think of these measures as police actions against a few unusual criminal sociopaths who happen to blow up buildings.

We are nervous about considering a larger meaning to the struggle, and even the staunchest Western partisans of war know that we no longer believe in the existence of a Gott mit uns in heaven.

[Peter Thiel]
‘The Straussian Moment’




The modern Western world is a deliberately secularized Christian world that has been moved away from existential concern with the deep, serious dimensions of human life—like those addressed by religion—towards commercialism and a doctrine of rights based on circumventing the difficult question ‘what is man’ […]

By moving away from the serious dimensions and all-important questions, the apostles of modernity may have believed they were moving away from the deepest sources of conflict […] But Strauss once wrote as follows:

“Agreement at all costs is possible only as agreement at the cost of the meaning of human life; for agreement at all costs is possible only if man has relinquished asking the question of what is right; and if man relinquishes that question, he relinquishes being a man. But if he seriously asks the question of what is right, the quarrel will be ignited … the life-and-death quarrel: the political—the grouping of humanity into friends and enemies—owes its legitimation to the seriousness of the question of what is right.”

We cannot relinquish our humanity: modernity is not enough. But neither can we accept Schmitt’s agonistic re-politicization of the West vis-a-vis Islam, Thiel argues, since that risks “doing away with everything that fundamentally distinguishes the modern West from Islam” and would therefore be a “Pyrrhic victory.” Western re-politicization would amount to a kind of mimetic rivalry with the Islamic world, and mimetic rivalry leads to runaway violence.

So, we need the political, but not in the way Schmitt gave it to us.

[Michael Millerman]
‘The End of the Straussian Moment?’




My announcement at the end of September that Click Opera would end in February elicited some interesting reactions. The bit that seemed to spark the most empathy with Simon Reynolds and Mark Fisher was my anti-dialectical, anti-democratic point (if by dialectics and democracy we mean OMG WTF Web 2.0 ghost-sparring) that "Click Opera has been a sort of karate course, and its comment facility has taught me to be more dialectical and -- above all -- the skill set of prolepsis, of anticipating reader objections.

But is a more moderate, accessible and dialectical me really what the world needs? Doesn't the world need an immoderate, outrageous and concentrated me, just laying out things that only I could think, no matter how wrong they may be?"

Simon Reynolds on his Blissblog responded: "Yeah I agree prolepsis sucks, it seems to have taken a lot of the categorical oomph and thrust out of writing, unless you're just utterly bullheaded you will inevitably find yourself riddling what you do with qualification and nuancing... Strangely, prolepsis rarely seems to afflict comments boxers... but i guess they can shelter under aliases or "anonymous," they don't have to own their utterances in the same way."

Mark Fisher makes a similar point on his K-Punk blog: "For me, the answer is clear - I certainly don't want writers who "respond to criticisms", who patiently deal with "feedback", no matter how hostile and uncomprehending. I want writers who have the courage to pursue their own lines. What's interesting, I suppose, is the libidinal impulses at work in those who don't want that - who would rather have a writer spending their time on discussion boards and in comments boxes defending themselves, nuancing their position into innocuous irrelevance, or effectively abandoning it altogether in the name of some vacuous commitment to "debate".

[Momus]
'Tactics, not skirmishes', Click Opera




In its relation with the other the force which makes itself obeyed does not deny the other or that which it is not, it affirms its own difference and enjoys this difference.

For the speculative element of negation, opposition or contradiction Nietzsche substitutes the practical element of difference, the object of affirmation and enjoyment. What a will wants is to affirm its difference. In its essential relation with the "other" a will makes its difference an object of affirmation. "The pleasure of knowing oneself different", the enjoyment of difference [...]

Nietzsche's "yes" is opposed to the dialectical "no"; affirmation to dialectical negation; difference to dialectical contradiction; joy, enjoyment, to dialectical labour; lightness, dance, to dialectical responsibilities. The empirical feeling of difference, in short hierarchy, is the essential motor of the concept, deeper and more effective than all thought about contradiction.

[Gilles Deleuze]
Nietzsche and Philosophy, p.9



Related posts:

Perspectivism




Personal         -     Universal
Individual      -      Collective
Subjective      -      Objective
Concrete         -     Abstract




Tradition is limited, perspectival. It has a definite position or shape, which emerges from its various boundaries and prohibitions. Liberalism, emerging from the Enlightenment, aims at no positions and sees itself as being above all partial perspectives. It aims for general covering laws and universal rights.

While it is true that individual interests underlie all collective or seemingly moral actions, tradition directs these interests towards a greater good. It unites the individual good with the collective good, minimising any inconsistency between the two.       

Deleuze: Truth is not 'the element of thought, the element of thought is sense and value' – i.e. truth is not the bottom line because every truth is situated within a position or perspective. Hence, we're led to essence not by questions which about abstract truth - 'what is?' - but by those about sense and value - 'which one?'




Is it [...] impossible to present a view as true, by which one can live, without also presenting it as a view that is true necessarily, by which all must live?

[Alexander Nehamas]
Nietzsche: Life as Literature, p. 36




[…] Following the abstract habit of philosophy, the existentialists too speak of man in general, whereas one should always refer to one or another human type […]

[Julius Evola]
Ride the Tiger, p. 81
 



The Poincaré map is a dimensional compression technique whereby three dimensions are displayed in two dimensional space. Unlike a photograph, which implies the third dimension through perspective, the Poincaré map involves the third dimension in its creation.

It is interesting to speculate on the nature of the patterns revealed by Poincaré maps. The map itself is created by using a line drawn through the origin as a reference for defining the y-axis of the map. Different maps are produced for each of the infinite selections of lines through the origin. Patterns appear and disappear depending on the selection of the reference line.

One interpretation might be that our concept of "order" is incorrect. We generally perceive of "order" as an absolute (i.e., the quest for the "true" nature of things). Poincaré maps imply that order is not an absolute, but rather, something that can only be understood relative to an observer.

An observer using one reference line might see order, while another observer using a different reference line might see chaos, or a completely different pattern. In other words, the nature of a system is a matter of perception and/or beliefs.

[David S. Walonick]
'General Systems Theory'




The history of philosophy is to a great extent that of a certain clash of human temperaments.

Undignified as such a treatment may seem to some of my colleagues, I shall have to take account of this clash and explain a good many of the divergencies of philosophers by it. Of whatever temperament a professional philosopher is, he tries when philosophizing to sink the fact of his temperament. Temperament is no conventionally recognized reason, so he urges impersonal reasons only for his conclusions.

Yet his temperament really gives him a stronger bias than any of his more strictly objective premises. It loads the evidence for him one way or the other, making for a more sentimental or a more hard-hearted view of the universe, just as this fact or that principle would. He trusts his temperament.

Wanting a universe that suits it, he believes in any representation of the universe that does suit it. He feels men of opposite temper to be out of key with the world’s character, and in his heart considers them incompetent and 'not in it,' in the philosophic business, even tho they may far excel him in dialectical ability.

Most of us have, of course, no very definite intellectual temperament, we are a mixture of opposite ingredients, each one present very moderately. We hardly know our own preferences in abstract matters; some of us are easily talked out of them, and end by following the fashion or taking up with the beliefs of the most impressive philosopher in our neighborhood, whoever he may be.

But the one thing that has counted so far in philosophy is that a man should see things, see them straight in his own peculiar way, and be dissatisfied with any opposite way of seeing them.

[William James]
Pragmatism and Other Writings, p. 9




Nietzsche is so suspicious of Plato and Socrates because he believes that their approach is essentially dogmatic. He attributes to them the view that their view is not simply a view but an accurate description of the real world which forces its own acceptance and makes an unconditional claim on everyone’s assent.

Apart from objecting to their specific ideas, he objects even more to the fact that philosophers “are not honest enough in their work,” that they write as if they had reached their ideas in an objective and disinterested manner, motivated only by the search for truth.

But according to him these same philosophers “are all advocates who resent that name, and for the most part even wily spokesmen for their prejudices which they baptise ‘truths’ - and very far from having the courage of the conscience that admits this, precisely this, to itself; very far from having the good taste or the courage which also lets this be known, whether to warn an enemy or friend, or, from exuberance, to mock itself.”

It is in the interest of dogmatic approaches to hide their specific origins; in this way that are enabled to make universal claims. 

Having an origin is being part of history, and this implies that it is at least possible also to have an end. It is just this possibility that, according to Nietzsche, dogmatism must render invisible, since it aims to be accepted necessarily and unconditionally - not as the product of a particular person or idiosyncrasy but as the result of a discovery about the unalterable features of the world.

This is one of the reasons, as we shall see, why Nietzsche engages in the practice he calls “genealogy,” for genealogy reveals the very particular, very interested origins from which actually emerge the views that we have forgotten are views and take instead as facts.

Nietzsche’s opposition to dogmatism does not consist in the paradoxical idea that it is wrong to think that one’s beliefs are true, but only in the view that one’s beliefs are not, and need not be, true for everyone.

[Dogmatism and metaphysics] are attempts to project one’s own views on the world, and they are just as much attempts to hide precisely this projection from themselves as well as from their audience.

They lack “the courage of the conscience” that either in warning or in mockery admits that the view being projected is nothing more than a reading onto the world of the conditions under which its own author can thrive, and which need not be the right conditions for everyone else […] 

Accepting a view is therefore not simply a question of assenting to a set of propositions, as the matter is sometimes put. It also involves accepting the values that are the preconditions of that view and the mode of life that is implied and made possible by those values.

And since Nietzsche believes that there is no mode of life that is proper, desirable, or indeed possible for everyone, he also holds, very consistently, that there is no set of views that commands universal assent by virtue of depending merely on the features of the world in itself or of human beings as such.

[Alexander Nehamas]
Nietzsche: Life as Literature, p. 32-4




What makes one regard philosophers half mistrustfully and half mockingly is […] that they display altogether insufficient honesty, while making a mighty and virtuous noise as soon as the problem of truthfulness is even remotely touched on. 

They pose as having discovered and attained their real opinions through the self-evolution of cold, pure, divinely unperturbed dialectic (in contrast to the mystics of every rank, who are more honest and more stupid than they - these speak of 'inspiration'): while what happens at bottom is that a prejudice, a notion, an 'inspiration', generally a desire of the heart sifted and made abstract, is defended by them with reasons sought after the event - they are one and all advocates who do not want to be regarded as such, and for the most part no better than cunning pleaders for their prejudices, which they baptize 'truths' - and very far from possessing the courage of the conscience which admits this fact to itself, very far from possessing the good taste of the courage which publishes this fact, whether to warn a foe or a friend or out of high spirits and in order to mock itself.

The tartuffery, as stiff as it is virtuous, of old Kant as he lures us along the dialectical bypaths which lead, more correctly, mislead, to his 'categorical imperative' - this spectacle makes us smile, we who are fastidious and find no little amusement in observing the subtle tricks of old moralists and moral-preachers.

Not to speak of that hocus-pocus of mathematical form in which, as in iron, Spinoza encased and masked his philosophy - 'the love of his wisdom', to render that word fairly and squarely - so as to strike terror into the heart of any assailant who should dare to glance at that invincible maiden and Pallas Athene - how much timidity and vulnerability this masquerade of a sick recluse betrays!

[Friedrich Nietzsche]
Beyond Good and Evil, 5



Learning transforms us, it does that which all nourishment does which does not merely ‘preserve' - : as the physiologist knows. 

But at the bottom of us, “right down deep', there is, to be sure, something unteachable, a granite stratum of spiritual fate, of predetermined decision and answer to predetermined selected questions. In the case of every cardinal problem there speaks an unchangeable ‘this is I'; 

about man and woman, for example, a thinker cannot relearn but only learn fully - only discover all that is ‘firm and settled' within him on this subject. 

One sometimes comes upon certain solutions to problems which inspire strong belief in us; perhaps one thenceforth calls them one's 'convictions'. Later - one sees them only as footsteps to self-knowledge, signposts to the problem which we are - more correctly, to the great stupidity which we are, to our spiritual fate, to the unteachable 'right down deep'.

[Friedrich Nietzsche]
Beyond Good and Evil, 231




The kind of blogging I do has to be based in personal obsession, in spats and rivalry, in a kind of light, oblique but perpetual autobiography.

There has to be a subject for all this data to make any sort of situated sense, and that subject has to be seen to have a body, clothes, a way to wear those clothes, and so on.

As soon as I get tugged out of that embodied, situated world I get bored and anxious and mistrustful.

I want to know always who's speaking, how old they are, what culture they were raised in, what their vested interests are, and so on.

For me, the Anon is suspicious because I can't see what s/he looks like or what life his/her comment is rooted in. For the Anons (or some of them), I'm the suspicious one, because my comments are far too obviously rooted in an ego, a persona.

[Momus]




An interpretation can appear to be binding on everyone only if the fact that it is an interpretation remains hidden. And this can be achieved only if the interpretation in question is presented as a view that is objectively true of the world and is addressed to all human beings simply as human beings, as rational agents, or […] as children of God.

To say of a view that it is an interpretation is not to say that it is false. It is, rather, to say that it is a view that, like all views, is produced by specific interests, for specific purposes, and that it is appropriate for specific types of people. 

And though this does not make the issue of truth irrelevant, the ultimate question to be asked of an interpretation concerns the interests it promotes: for what type of person is it appropriate? Whom does it benefit? […] interpretation is always an effort to reveal and make obvious the character, the type of person, and the type of life which a view promotes and elevates.

Nietzsche believed that the goal of every philosophical view is to present a picture of the world and a conception of values which makes a certain type of person possible and which allows it to prosper and to flourish. 

“We seek picture of the world in that philosophy in which we feel freest; i.e., in which our most powerful drive feels free to function […]”

[…] asceticism denies the radical contingency of history, the fact that every institution is subject to change, revision, and even elimination. But even more important, it denies that many modes of life are possible at the same time, and that this pluralism, despite its undeniable dangers, holds greater promise than the uniform levelling that Nietzsche finds to be implicit in Christianity and in all other absolutist codes.

[Alexander Nehamas]
Nietzsche: Life as Literature, p. 126-9




Consider the historical horizon of Nietzsche. 

His conceptions of decadence, militarism, the transvaluation of all values, the will to power, lie deep in the essence of Western civilization and are for the analysis of that civilization of decisive importance. But what, do we find, was the foundation on which he built up his creation? Romans and Greeks, Renaissance and European present, with a fleeting and uncomprehending side-glance at Indian philosophy - in short "ancient, mediæval and modern" history. 

Strictly speaking, he never once moved outside the scheme, not did any other thinker of his time.

What correlation, then, is there or can there be of his idea of the "Dionysian" with the inner life of a highly-civilized Chinese or an up-to-date American? What is the significance of his type of the "Superman" - for the world of Islam? Can image-forming antitheses of Nature and Intellect, Heathen and Christian, Classical and Modern, have any meaning for the soul of the Indian or the Russian? 

What can Tolstoi - who from the depths of his humanity rejected the whole Western world-idea as something alien and distant - do with the “Middle Ages," with Dante, with Luther? What can a Japanese do with Parzeval and "Zarathustra," or an Indian with Sophocles? And is the thought-range of Schopenhauer, Comte, Feuerbach, Hebbel or Strindberg any wider? 

Is not their whole psychology, for all its intention of world-wide validity, one of purely West-European significance?

[Oswald Spengler]
The Decline of the West, Vol. 1, p.24




In this matter of morale, Western mankind, without exception, is under the influence of an immense optical illusion.

Everyone demands something of the rest.

We say “thou shalt" in the conviction that so-and-so in fact will, can and must be changed or fashioned or arranged conformably to the order, and our belief both in the efficacy of, and in our title to give, such orders is unshakable. That, and nothing short of it, is, for us, morale.

In the ethics of the West everything is direction, claim to power, will to affect the distant. Here Luther is completely at one with Nietzsche, Popes with Darwinians, Socialists with Jesuits; for one and all, the beginning of morale is a claim to general and permanent validity.

It is a necessity of the Faustian soul that this should be so. He who thinks or teaches “otherwise" is sinful, a backslider, a foe, and he is fought down without mercy. You "shall," the State "shall," society "shall" — this form of morale is to us self-evident; it represents the only real meaning that we can attach to the word.

But it was not so either in the Classical, or in India, or in China. Buddha, for instance, gives a pattern to take or to leave, and Epicurus offers counsel. Both undeniably are forms of high morale, and neither contains the will-element.

[Oswald Spengler]
The Decline of the West, Vol. 1, p. 341




Even Nietzsche, that most passionate opponent of "herd morale,” was perfectly incapable of limiting his zeal to himself in the Classical way. He thought only of “mankind," and he attacked everyone who differed from himself.

Epicurus, on the contrary, was heartily indifferent to others' opinions and acts and never wasted one thought on the “transformation" of mankind. He and his friends were content that they were as they were and not otherwise.

The Classical ideal was indifference to the course of the world - the very thing which it is the whole business of Faustian mankind to master - and an important element both of Stoic and of Epicurean philosophy was the recognition of a category of things neither preferred nor rejected.

In Hellas there was a pantheon of morales as there was of deities, as the peaceful coexistence of Epicureans, Cynics and Stoics shows, but the Nietzschean Zarathustra - though professedly standing beyond good and evil - breathes from end to end the pain of seeing men to be other than as he would have them be, and the deep and utterly un-Classical desire to devote a life to their reformation - his own sense of the word, naturally, being the only one.

It is just this, the general transvaluation, that makes ethical monotheism and - using the word in a novel and deep sense — socialism. All world-improvers are Socialists. And consequently there are no Classical world-improvers.

[Oswald Spengler]
The Decline of the West, Vol. 1, p. 342




[…] Locke, the founder of modern psychology, was evidently inspired by the Cartesian conception when he thought fit to announce that, in order to know what the Greeks and Romans thought in days gone by (for his horizon did not extend beyond Western 'classical' antiquity) it is enough to find out what Englishmen and Frenchmen are thinking today, for 'man is everywhere and always the same'.

Nothing could possibly be more false, yet the psychologists have never got beyond that point, for, while they imagine that they are talking of man in general, the greater part of what they say really only applies to the modern European; does it not look as if they believe that the uniformity that is being imposed gradually on all human individuals has already been realized?

[René Guénon]
The Reign of Quantity and the Signs of the Times, p. 92




To say that life “always surpasses itself,” “wants to ascend, and to regenerate itself by rising and surpassing itself,” or that the life's secret is “I am that which must always conquer itself” —all that is simply the result of a very unusual vocation projecting itself to the dimensions of a worldview.

It is merely the reflection of a certain nature, and by no means the general or objective character of every existence.

The foundation that really prevails in existence is much closer to Schopenhauer's formulation than to this one of Nietzsche's; that is, the will to live as eternal and inexhaustible desire, not the will to power in the true sense, or the positive, ascending drive to dominance.

[Julius Evola]
Ride the Tiger, p. 48




Kant’s search for a universal morality […] entailed the same assumption: that incontrovertibility furnished the only test of socially workable beliefs.

In making universality the essential condition of ethical imperatives, Kant nevertheless detached morality from its ordinary social context in the same way that Descartes hoped to detach communication from common speech.

Moral obligation no longer referred to the duties prescribed by a particular office or social role but to the categorical imperative to follow no rule that could not be recommended as a general rule for everyone.

Both the cosmopolitan ideal and the hope for a science of politics rested on the assumption that human beings are all alike. “They all have the same vital organs, sensibility, and movement,” as Voltaire put it.

[Christopher Lasch]
The True and Only Heaven, p.125-7




As far as Indigenous people are concerned, there is no need for them to justify their spirituality, their traditions, or their science by reference to anything external to their society. 

Indigenous science does not need to explain itself to anyone. It has no need to compare or authenticate itself against the standard of Western science.

[F. David Peat]
Blackfoot Physics, p.241




I consider fascism a part of political modernity - totalitarianism is a modern phenomenon. 

Fascism is based on the same alienation as liberalism and communism, but instead of the subject being the individual or class, it is the nation. But what is the nation? 'Nation' is a bourgeoise concept that appeared at the end of the Middle Ages and has replaced the concept of the estate, the church, the empire, or the small peasant community. Nation is based on individual citizenship; [and so] the basis of fascism is already an essential part of political modernity.

I reject racism because we cannot measure different human societies by hierarchy between them. Archaic people or developed people; rich people or poor people - we cannot compare based on the criteria taken from one of them. All peoples create their own systems of value, which are incompatible and incommensurable.

Racism declares that one race, or one technological culture, or one system of values, or one civilisation, is higher than others. Racism is modern: we can’t find racism in the Middle Ages, or slavery in Middle Ages - these are based on Western practices of modernity.

The force of political modernity is totalitarianism and racism. It could be the white man against others, or Germans against all, but it could also be class - 'only proletarians are the revolutionary class' […]

I think that liberals behave as racists because they say that the first class people are developed western civilisation and everybody who shares the same values. They enforce their values, of multiculturalism and liberalism, political correctness and cancel culture, imposing and obliging others, and demonising everyone who is against it. That is liberal racism.

[Aleksandr Dugin]
‘The Fourth Political Theory w/ Aleksandr Dugin’, The Stoa, YouTube




[…] the question of the plurality of horizontal centers raises the problem of “cultural relativity”, or the plurality of ethnocentra.

Every culture proceeds from the fact that it itself is in the center of the intellectual universe. Consequently, every culture is built upon the presumption of its own uniqueness, universality, and “singularity.” Its Logos and the less obvious Dasein at its heart are taken as a point of reference and paradigm. This is how the ethnocentrum is formed.

Man believes the Logos of the ethnocentrum to which he relates (which is almost always his own ethnocentrum or, in some cases, the ethnocentrum which he believes to be normative, e.g. the “Europe” of Russian “Westernizers” or the “Europe” of Asian “globalists”) to be “universal”, “obvious,” “self-evident”, and the “best.”

Here we arrive at the main methodological quality of geosophy. In order to correctly interpret the structures of a given civilization (culture), we must deliberately, consciously refrain from projecting our own ethnocentric views. Here we should turn to the phenomenology of philosophy, deconstruction, and apperception to bracket our own “ethnocentrism” which leads us to believe that the methods and criteria for evaluating our own civilization are a universal scale for interpreting all other cultures.

In contrast to the semantic structure of the ethnocentrum which structures space, and departing from its exceptionalism and implicit superiority, we must consciously allow for the plurality and qualitative equality of ethnocentra, we must recognize every ethnocentrum to have the right to its own cultural topography, and we must share this topography to the extent that we wish to conceptualize the roots of its existential structure.

[…] While himself a Protestant Christian by confession and a phenomenologist in the field of the comparative study of religions, Corbin recognized that studying another religion is fully possible only if one abstracts himself over the course of study from his own established dogmatic and confessional positions – otherwise, we will be left with a variety of apologetics and insistences on the universality of our ethnocentrum.

However, this need not entail an irreversible change of confession and cultural code. Corbin himself remained a Christian even though in his studies of Shiism he adopted the positions of another ethnocentrum for the sake of fuller understanding, and as a result of which his works were rendered more weighty, authoritative, and foundational.

The point is not to leave the zone of one ethnocentrum only to enter another, but to accomplish the process of transparent philosophical apperception, to conceptualize one’s “natural”, “historical” position as ethnocentric and, without departing from one’s loyalty to such, to recognize that other studied cultures are just as ethnocentric and just as well claim “universality”, “exclusivism”, and “obviousness” as our own.

[Aleksandr Dugin]
Noomakhia: Wars of the Mind – Geosophy: Horizons and Civilizations




Emotivism is the doctrine that all evaluative judgments and more specifically all moral judgments are nothing but expressions of preference, expressions of attitude or feeling, insofar as they are moral or evaluative in character.

Factual judgments are true or false; and in the realm of fact there are rational criteria by means of which we may secure agreement as to what is true and what is false. But moral judgments, being expressions of attitude or feeling, are neither true nor false; and agreement in moral judgment is not to be secured by any rational method, for there are none.

It is to be secured, if at all, by producing certain non-rational effects on the emotions or attitudes of those who disagree with one. We use moral judgments not only to express our own feelings and attitudes, but also precisely to produce such effects in others.

[Alasdair MacIntyre]
After Virtue, p.13-14




Kant is the first philosopher who understood critique as having to be total and positive as critique. Total because "nothing must escape it"; positive, affirmative, because it can not restrict the power of knowing without releasing other previously neglected powers.

Kant merely pushed a very old conception of critique to the limit, a conception which saw critique as a force which should be brought to bear on all claims to knowledge and truth, but not on knowledge and truth themselves; a force which should be brought to bear on all claims to morality, but not on morality itself.

[...] Nietzsche [...] thinks that he has found the only possible principle of a total critique in what he calls his "perspectivism": there are no moral facts or phenomena, but only a moral interpretation of phenomena; there are no illusions of knowledge, but knowledge itself is an illusion; knowledge is an error, or worse, a falsification.

Kant is the last of the classical philosophers: he never questions the value of truth or the reasons for our subjection to it. In this respect he is as dogmatic as anyone else. None of them ask: who is seeking truth? In other words: what does the one who seeks the truth want? What is his type, what is his will to power?

The concept of truth can only be determined on the basis of a pluralist typology. And typology begins with a topology. It is a matter of knowing what region such errors and such truths belong to, what their type is, which one formulates and conceives them.

[Gilles Deleuze]
Nietzsche and Philosophy, p.89-90, 94, 105

--

Truth, as a concept, is entirely undetermined. Everything depends on the value and sense of what we think. We always have the truths we deserve as a function of the sense of what we conceive, of the value of what we believe.

The truth of a thought must be interpreted and evaluated according to the forces or power that determine it to think and to think this rather than that. When we speak of "plain truth", of truth "in itself, "for itself or even "for us", we must ask what forces are hiding themselves in the thought of this truth, and therefore what its sense and value is.

A new image of thought means primarily that truth is not the element of thought. The element of thought is sense and value.

[Gilles Deleuze]
Nietzsche and Philosophy, p.104




It is undoubtedly a blunder to cite something beautiful when you are asked "what is beauty?" But it is less certain that the question: "what is beauty?" is not itself a blunder. It is by no means certain that it is legitimate and well put, even and above all as a way of discovering essence.

The sophist Hippias was not a child who was content to answer the question "which one [is beautiful]?" when asked the question "what is [beauty]?" He thought that the question "which one?" was the best kind of question, the most suitable one for determining essence.

For it does not refer, as Socrates believed, to discrete examples, but to the continuity of concrete objects taken in their becoming, to the becoming-beautiful of all the objects citable or cited as examples.

Asking which one is beautiful, which one is just and not what beauty is, what justice is, was therefore the result of a worked-out method, implying an original conception of essence and a whole sophistic art which was opposed to the dialectic. An empirical and pluralist art.

We are led to essence only by the question: which one? For essence is merely the sense and value of the thing; essence is determined by the forces with affinity for the thing and by the will with affinity for these forces. Moreover, when we ask the question "what is it?" (qu'est-ce que) we not only fall into the worst metaphysics but in fact we merely ask the question "which one?" in a blind, unconscious and confused way.

Essence, being, is a perspectival reality and presupposes a plurality. Fundamentally it is always the question "What is it for me?" (for us, for everyone that sees etc.). Essence is always sense and value. And so the question "which one?" reverberates in and for all things: which forces, which will? This is the tragic question.

Dionysus is the god of transformations, the unity of multiplicity, the unity that affirms multiplicity and is affirmed of it. "Which one is it?" - it is always him.

[Gilles Deleuze]
Nietzsche and Philosophy, p.76


 
Related posts:

Centre / Periphery



Centre                               -                      Periphery
Consolidation                   -                      Exploration
Classicism                        -                      Romanticism
Order                                -                      Chaos
Communal                        -                      Individual
Narrow                             -                      Wide
Normative                         -                      Deviant
Monism                             -                      Pluralism
Known                              -                      Unknown
Explicit                              -                      Implicit
Universal                           -                      Relative




If we are to communicate with one another, and to live communally, then there must always be common ground -  a centre around which we orbit.

The centre is a single point.

As we approach it, experience becomes narrowed. Possibilities are shut off in favour of an increasingly limited number of actualities.

At the centre there is a set way of doing things; rules, standards, and conventions.





As long as there's conservatism and invisible consensus, there will be avant garde work to outrage it and make it visible.

[Momus]
'Documenta's over, but it just keeps getting better'





The Overton window, also known as the window of discourse, is the range of ideas the public will accept.

Overton described a spectrum from "more free" to "less free" with regard to government intervention, oriented vertically on an axis. As the spectrum moves or expands, an idea at a given location may become more or less politically acceptable. His degrees of acceptance of public ideas are roughly:
  • Unthinkable
  • Radical
  • Acceptable
  • Sensible
  • Popular
  • Policy
The Overton window is an approach to identifying which ideas define the domain of acceptability within a democracy's possible governmental policies. Proponents of policies outside the window seek to persuade or educate the public in order to move and/or expand the window. Proponents of current policies, or similar ones, within the window seek to convince people that policies outside it should be deemed unacceptable.

After Overton's death, others have examined the concept of adjusting the window by the deliberate promotion of ideas outside of it, or "outer fringe" ideas, with the intention of making less fringe ideas acceptable by comparison. The "door-in-the-face" technique of persuasion is similar.

'Overton window'




There are many ways that we can frame symbolic patterns, but the frame that I will use most prominently is the geometric symbolism of centre and periphery. I’m going to use that structure because its easy to understand - we encounter it in our bodies, our rituals, our societies; and more abstractly in our language and concepts.

[…] identity, refugees, walls, immigration, technology: all of these things can be understood quite well using the basic frame of centre and periphery.

In general the problem of chaos is the problem of the margin, and whether we see the margin as an exciting potential by which we can further ourselves out into the world, or whether we see it as a dangerous threat to the things we care about.

[Jonathan Pageau]
Symbolism in Guardians of the Galaxy v.2




I always go to the rough edges, because that’s where you find things that are much more exciting than the structured aspect of the regular parts of a city.

[Tjalf Sparnaay]
Getting Closer’ (documentary)




[...] the world formed by art is recognised as a reality which is suppressed and distorted in the given reality.

[...] The truth of art lies in its power to break the monopoly of established reality (i.e. of those who established it) to define what is real [...] 

Art is committed to that perception of the world which alienates individuals from their functional existence and performance in society - it is committed to an emancipation of sensibility, imagination, and reason in all spheres of subjectivity and objectivity [...] But this achievement presupposes a degree of autonomy which withdraws art from the mystifying power of the given and frees it for the expression of its own truth.

[Herbert Marcuse]
The Aesthetic Dimension




[Marcuse] values art, as I do, for its power of contradiction, its protest against a narrow definition of reality and the prescription of its forms.

In our time, reality is administered mostly by politics: the function of the arts is the critical interrogation of politics, the questioning of its certitudes.

André Malraux's The Voices of Silence is based on his understanding that 'great artists are not transcribers of the scheme of things; they are its rivals [...] all art is a revolt against man's fate.'

The image of the doomed artist has retained its power because of the association of the artist with transgression, genius, the role of scapegoat, the sacrificial victim. We don’t know what to make of this image.

On the whole, we try to include the artist in the forms of our knowledge, but if he rejects our embrace we know that in some profound sense he is right, he knows he is not really one of us. Art does not confirm the reality we normally think we know and possess.

In fact art is permanently antagonistic to our sense of reality because it makes a space for those images which our sense of reality excludes. 

There is in fact much to be said for bourgeois society even when we insist on degrading it by calling it bourgeois, but artists have rarely wanted to say any of it. One of the aims of modern art and literature has been to escape from the middle class and what Ezra Pound called its ‘accelerated grimace’.

So the arts have appealed to pleasure rather than duty, interrogation rather than conformity; they thrive upon suspicion rather than consensus, the creative speech of poetry rather than the stereotypes of daily life.

In avant-garde art, these gestures of dissociation have sometimes been maintained to the point at which many people can see nothing in them but spiritual terrorism, like the fractured face in a Picasso portrait.

In extreme cases, the gesture amounts to a rage for the absolute, as if nothing could satisfy so long as it remains finite.

The 19th-century artist kept his soul, as far as possible, by withholding assent to official purposes. As the price to be paid for that spiritual privilege, his art emphasised difference rather than continuity of experience; a certain purity of form, only to be achieved by transcending the ordinary world. There is always a risk of weightlessness in his images or in his voice, a suggestion of falsetto. He achieves form as a desperate choice, and we sense everything that has had to be kept out of the picture to make it become what it is.

The artistic vision is in some way ineffable, unspeakable; it deflects every attempt to pin it down by knowledge or to define it in speech. The stories say that art is not to be assimilated to the comfortable ways of a society. 

The artist is an eagle, not a dove.

[Denis Donoghue]
The Arts Without Mystery, p. 13, 15-16, 21, 27, 69




Let us attempt to see.

[Robert Delaunay]
'Light'


Art is exploration: artists train people how to see.

The artists are the people who articulate the unknown. The role of art in a healthy culture is to bring to public awareness elements of being that have not yet entered the collective consciousness.

Here’s a way of thinking about artistic and creative people from a biological perspective: the world is basically an explored territory, inside an unexplored territory - every world is like that, everywhere you go is like that; there’s things you know, and things you don’t know.

The conservative people like to be in the middle of the things that are known. They can master that space, and are good at maintaining it.

The artists like to be right out on the edge, and that’s the edge between chaos and order. And they like to expand the domain of order out into the chaos. They do that first by transforming perception.

Artists have always been on the frontier of human understanding. The artist bears the same relationship to society that the dream bears to mental life.

The dream is the thing that mediates between order and chaos, it starts to make chaos into order. It’s half chaos, that’s why it’s not comprehensible. Artists play exactly the same role in society: they’re the visionaries that start to transform what we don’t understand into what we can [at least] start to see. They’ve always been at the vanguard, that’s their biological niche. They’re the civilising agents.

Imagine we’re all living on an island, and many of us are in the centre of the island - far enough away so that maybe we can’t see the shoreline, and the ocean. The artists are right on the edge, and they’re expanding the landscape, they’re moving the culture forward into the unknown.

They do that by translating what is as yet unimaginable, but sensed, into what is at least imaginable, and represent it in image, and drama, and literature. That’s the precursor to its full formulation in articulated philosophy and thought.

You can see them doing [it] in cities: it’s the open people, the artists, who go into parts of the cities that have degenerated to some degree back into chaos, and revitalise and recivilise them. [Then] the less artistic people, who are more conventional, move in, and that’s when you get gentrification. That usually chases the artists out, and they go somewhere else cheap and interesting and start the renewal process again.

That’s what artists do [...] They’re problem detectors and problem solvers [...] They’re transforming chaos into order, all of the time. That’s where they live, on that edge. It’s a very tough place to live, because you can fall into the chaos at any time.

[Jordan Peterson]
'July Patreon Q and A' and ‘Lectures: Exploring the Psychology of Creativity




Structuralist readers are urged to adopt an ironic or sceptical attitude towards whatever they read; they are to know that it is poisoned.

Barthes, in his later work, showed how such readers might behave themselves. They should cultivate caprice and excess, going against the grain of the writing, distrusting its rhetorical figures, reading at their own speed.

In this way they retain some measure of freedom, and break the conspiracy between author, publisher and the economy of the market which has produced the book as a commodity for sale.

[Denis Donoghue]
The Arts Without Mystery, p. 40




The point has been made that at any given time the overwhelming majority of scientists are not trying to overthrow the prevailing orthodoxy at all but are working happily within it. 

They are not innovating, and they seldom have to choose between competing theories: what they are doing is putting accepted theories to work. This is what has come to be known as 'normal science' [...]

It is true that Popper's writings are somewhat loftily exclusive in their references to the pathbreaking geniuses of science, whose activities his theories most obviously fit. And it is also true that most scientists take for granted, in order to solve problems at a lower level, theories which only a few of their colleagues are questioning.

[Bryan Magee]
Popper, p. 41




For Levinas, the course of Western philosophical tradition is determined from the outset by its ancient Greek heritage.

'Philosophy employs a series of terms and concepts - such as morphe (form), ousia (substance), nous (reason), logos (thought) or telos (goal), etc. - which constitute a specifically Greek lexicon of intelligibility.'

Like Derrida, he sees a systematic relationship or complicity between these terms, since they all point towards a moment of ultimate, self-present truth when reason would grasp the encompassing logic of its own nature and history.

What is intelligible to thinkers in this Greek tradition is whatever lends itself to the various 'totalizing' methods and strategies which thought has devised to maintain its grasp upon an otherwise recalcitrant world.

[Christopher Norris]
Derrida, p. 231-2




Such thinking, as Derrida describes it, 'dreams of deciphering a truth or an origin which escapes play and the order of the sign, and ... live the necessity of interpretation as an exile' [...]

The other possibility is that of abandoning such nostalgic ways of thought and accepting that there can henceforth be no limit to the range of strong-willed interpretative options.

[...] To register the force of this critique would be to re-think the notion of 'structure', no longer seeking to limit the play of its differential elements by always referring them back, in the last instance, to some organizing 'centre' or thematic point of origin.

[Christopher Norris]
Derrida, p. 139




The biggest problem of explicitness, however, is that it returns us to what we already know.

It reduces a unique experience, person or thing to a bunch of abstracted, therefore central, concepts that we could have found already anywhere else – and indeed had already. Knowing, in the sense of seeing clearly, is always seeing ‘as’ a something already known, and therefore not present but re-presented.

Fruitful ambiguity is forced into being one thing or another.

[Iain McGilchrist]
The Master and his Emissary, p. 180




What can we be said to owe to romanticism? A great deal.

We owe to romanticism the notion of the freedom of the artist, and the fact that neither he nor human beings in general can be explained by oversimplified views such as were prevalent in the eighteenth century and such as are still enunciated by over-rational and over-scientific analysts either of human beings or of groups.

We also owe to romanticism the notion that a unified answer in human affairs is likely to be ruinous, that if you really believe there is one single solution to all human ills, and that you must impose this solution at no matter what cost, you are likely to become a violent and despotic tyrant in the name of your solution, because you desire to remove all obstacles to it will end by destroying those creatures for whose benefit you offer the solution.

The notion that there are many values, and that they are incompatible; the whole notion of plurality, of inexhaustibility, of the imperfection of all human answers and arrangements; the notion that no single answer which claims to be perfect and true, whether in art or in life, can in principle be perfect and true - all this we owe to the romantics. 

[...] and yet, as a result of making clear the existence of a plurality of values, as a result of driving wedges into the notion of the classical ideal, of the single answer to all questions, of the rationalisability of everything, of the answerability of all questions, of the whole jigsaw-puzzle conception of life, they have given prominence to and laid emphasis upon the incompatibility of human ideals.

But if these ideals are incompatible, then human beings sooner or later realise that they must make do, the must make compromises, because if they seek to destroy others, others will seek to destroy them; and so, as a result of this passionate, fanatical, half-mad doctrine, we arrive at an appreciation of the necessity of tolerating others, the necessity of preserving an imperfect equilibrium in human affairs, the impossibility of driving human beings so far into the pen which we have created for them, or into the single solution which possesses us, that they will ultimately revolt against us, or at any rate be crushed by it.

The result of romanticism, then, is liberalism, toleration, decency and the appreciation of the imperfections of life [...]

[Isaiah Berlin]
The Roots of Romanticism, p. 146-7




The second condition of permanent political society has been the existence, in some form or other, of the feeling of allegiance, or loyalty.

This feeling may vary in its objects, and is not confined to any particular form of government; but whether in a democracy or in a monarchy, its essence is always the same, namely that there is in the constitution of the State something that is settled, something permanent, and not to be called in question; something that is generally agreed to have a right to be where it is and to be secure against disturbance, whatever else may change.

This feeling may attach itself—as among the Jews (and indeed in most of the commonwealths of antiquity)—to a common God or gods, the protectors and guardians of their State. Or it may attach itself to certain persons who are deemed to be the rightful guides and guardians of the rest, whether by divine appointment, by long prescription, or by the general recognition of their superior capacity and worthiness. Or it may attach itself to laws; to ancient liberties, or ordinances. Or finally (and this is the only form in which the feeling is likely to exist from now on) it may attach itself to the principles of individual freedom and political and social equality, as realised in institutions that don’t yet exist anywhere except perhaps in a rudimentary state.

But in every political society that has had a durable existence there has been some fixed point, something that men agreed in holding sacred.

[John Stuart Mill]
'Essays on Bentham and Coleridge'




The third essential condition of stability in political society is a strong and active force of cohesion among the members of the same community or state. 

I need scarcely say that I do not mean ‘nationality’ in the vulgar sense of the term:

•a senseless antipathy to foreigners,

•an indifference to the general welfare of the human race, or an unjust preference for the supposed interests of our own country;

•a cherishing of bad peculiarities because they are national, or a refusal to adopt what has been found good by other countries.

I mean a force of sympathy, not of hostility; of union, not of separation. I mean a feeling of common interest among those who live under the same government and are contained within the same natural or historical boundaries. I mean that one part of the community do not consider themselves as foreigners with regard to another part; that they set a value on their connection; feel that they are one people, that their lot is cast together, that evil to any of their fellow-countrymen is evil to themselves; and do not selfishly want to free themselves from their share of any common inconvenience by breaking the connection.

Everyone knows how strong this feeling was in the ancient commonwealths that attained any durable greatness.

[John Stuart Mill]
'Essays on Bentham and Coleridge'




[…] we cannot excel our way out of modern problems […] surviving our newfound god-like powers will require modes that lie well outside expertise, excellence, and mastery.

A single obviously stupid idea like 'self-regulating financial markets' now spreads frictionlessly among fungible experts inhabiting the now interoperable centers of excellence within newspapers, government, academe, think-tanks, broadcasting and professional associations. Before long, the highest levels of government are spouting nonsense about 'the great moderation' in front of financial disaster.

We have spent the last decades inhibiting […] socially marginal individuals or chasing them to drop out of our research enterprise and into startups and hedge funds. As a result our universities are increasingly populated by the over-vetted specialist to become the dreaded centers of excellence that infantilize and uniformize the promising minds of greatest agency.

If there is hope to be found in this sorry state of affairs it is in the rise of an archipelago of alternative institutions alongside the assembly line of expertise. This island chain of mostly temporary gatherings has begun to tap into the need for heroism and genius.

In the wake of the Challenger disaster, Richard Feynman was mistakenly asked to become part of the Rogers commission investigating the accident. In a moment of candor Chairman Rogers turned to Neil Armstrong in a men's room and said "Feynman is becoming a real pain." Such is ever the verdict pronounced by steady hands over great spirits.

[Eric Weinstein]
'Excellence'




Exploration is movement from the knowable to the complex, selectively.

This movement is often mentioned in the literature on complexity as exploration versus exploitation.

Exploration is an opening up of possibilities by reducing or removing central control without a total disruption of connections.

There are some good reasons to move deliberately from order to chaos. There are times when it is necessary to break rigid structures in precipitation of a natural collapse (as one approaches the boundary), so that the transition can be managed more carefully; and there are times when a strong disruption is the only mechanism that will break up a strong but unhealthy stability.

The [...] chaotic space [can be used] for temporary disruption of all connections (possibly within a restricted context) as a stimulant to new growth.

Entrainment breaking is movement from the knowable to the chaotic to the complex, periodically. In entrainment breaking, we move from the knowable to chaos and thus stimulate the creation of new complex systems as the system rebounds into the complex domain.

This is a common approach to disrupt the entrained thinking of experts who, in our experience, tend to be the most conservative when it comes to radical new thinking. 

The move to complex space is not radical enough to disrupt those patterns; we need to challenge at a more basic level the current assumptions of order. By using the complex space as a staging post, we create a more fertile space of interactions from which we can select stabilization points for the movement to the knowable.

Organizations tend to assume that they can design the nature of new systems. For example, an organization that needs new expertise in an area might commission a university to carry out a study, recruit specialist staff, or identify individuals within the organization and assign them new responsibilities. This is a successful and effective strategy when the conditions are suitable for ordered approaches.

However, if the situation is uncertain, it is more useful to shift the problem from the domain of the known to the complex. Organizations need to increase both internal and external levels of contact to the point where new patterns can emerge.

Immunization is movement from the known to the chaotic, temporarily. Immunization in chaos is a smaller “visit” to chaotic space that shakes up “the way things are” enough to cause reflection but not enough to destabilize the entire system.

Immunization serves two purposes. First, it inures people to the devastating force of chaos so that they will be better prepared to face those forces in the future. A perfect example: it is said that the great director Buster Keaton was able to craft his death-defying stunts (such as a house falling around him, a rescue from a drenching waterfall, amazing pratfalls, and so on) because as a toddler he was lifted out of bed by a tornado and set down unhurt in the street.

Second, immunization brings new perspectives, which cause radical disruptions in stable patterns of thought and lead to new complex patterns. 

Examples of such events are scattered throughout literature, in the accident that changes a politician’s career, or the chance encounter that causes a lonely woman’s life to fill up with new meaning, or in many other kinds of radical departures that make everything on which one had relied seem meaningless and restricting.

Metaphors are particularly useful agents of immunization because they allow conversation about painful things, enable disruptive and lateral thinking, prevent entrainment of attitudes, and clear out the cobwebs of stagnant ways. 

[Cynthia Kurtz & Dave Snowden]
'The new dynamics of strategy: Sense-making in a complex and complicated world'




Typical statistics textbooks teach standard (Gaussian) distribution – “the bell curve” – in which things like means and standard deviations most matter.

Some domains (like the sums of thrown die) naturally cluster around an average between strictly constrained extremes. If you know that the total height of two randomly selected people is 12-and-a-half feet, chances are the two people are each very close to 6 feet, 3 inches.

But if you know the total wealth of two randomly selected people is $125 million, the chance that wealth is close to evenly distributed is quite small; there is a very high chance that one of them has total wealth of close to $125m.

Unlike the size of an organism, the size of a bank account does not have a natural limit, and wealth isn’t evenly distributed around a mean. 

It takes wisdom to know when we are in Extremistan rather than Mediocristan, so that we are not harmed by, and can even benefit from, a rare and unforeseen outlier.

This means that many of the analytic tools of social science—like correlation and linear regression—are much more limited than usually acknowledged, and often deceptive: one can always “fit” a line to random data and find spurious “correlations” in large enough data sets.

[Joshua P. Hochschild]
'Optionality and the Intellectual Life: In Gratitude for the Real World Risk Institute'



Postmodern theory is reinterpreted in order to argue that a postmodern perspective does not necessarily imply relativism, but that it could also be viewed as a manifestation of an inherent sensitivity to complexity. 

As Cilliers explains, the characterization of complexity revolves around analyses of the process of self-organization and a rejection of traditional notions of representation. The model of language developed by Saussure - and expanded by Derrida - is used to develop the notion of distributed representation, which in turn is linked with distributed modelling techniques. Connectionism (implemented in neural networks) serves as an example of these techniques. 

Cilliers points out that this approach to complexity leads to models of complex systems that avoid the oversimplification that results from rule-based models.





The taste of the higher type is for exceptions, for things that leave most people cold and seem to lack sweetness; the higher type has a singular value standard. 

Moreover, it usually believes that the idiosyncrasy of its taste is not a singular value standard; rather, it posits its values and disvalues as generally valid and thus becomes incomprehensible and impractical. 

Very rarely does a higher nature retain sufficient reason for understanding and treating everyday people as such; for the most part, this type assumes that its own passion is present but kept concealed in all men, and this belief even becomes an ardent and eloquent faith. 

But when such exceptional people do not see themselves as the exception, how can they ever understand the common type and arrive at a fair evaluation of the rule? 

Thus they, too, speak of the folly, inexpediency, and fantasies of humanity, stunned that the course of the world should be so insane, and puzzled that it won't own up to what "is needful.”—This is the eternal injustice of those who are noble.

[Friedrich Nietzsche]
The Gay Science, 3



Not one of all these ponderous herd animals with their uneasy conscience (who undertake to advocate the cause of egoism as the cause of the general welfare – ) wants to know or scent that the 'general welfare' is not an ideal, or a goal, or a concept that can be grasped at all, but only an emetic 

– that what is right for one cannot by any means therefore be right for another, that the demand for one morality for all is detrimental to precisely the higher men, in short that there exists an order of rank between man and man, consequently also between morality and morality. 

[Friedrich Nietzsche]
Beyond Good and Evil, 228



The spell that fights on our behalf, the eye of Venus that charms and blinds even our opponents, is the magic of the extreme, the seduction that everything extreme exercises: we immoralists - we are the most extreme.

[Friedrich Nietzsche]
The Will to Power, 749




Not truth and certainty are the opposite of the world of the madman, but the universality and the universal binding force of a faith; in sum, the non-arbitrary character of judgments. 

And man's greatest labor so far has been to reach agreement about very many things and to submit to a law of agreement - regardless of whether these things are true or false. 

This is the discipline of the mind that mankind has received; but the contrary impulses are still so powerful that at bottom we cannot speak of the future of mankind with much confidence. The image of things still shifts and shuffles continually, and perhaps even more so and faster from now on than ever before. 

Continually, precisely the most select spirits bristle at this universal binding force, the explorers of truth above all. Continually this faith, as everybody's faith, arouses nausea and a new lust in subtler minds; and the slow tempo that is here demanded for all spiritual processes, this imitation of the tortoise, which is here recognized as the norm, would be quite enough to turn artists and thinkers into apostates: It is in these impatient spirits that a veritable delight in madness erupts because madness has such a cheerful tempo. 

Thus the virtuous intellects are needed - oh, let me use the most unambiguous word—what is needed is virtuous stupidity, stolid metronomes for the slow spirit, to make sure that the faithful of the great shared faith stay together and continue their dance. It is a first-rate need that commands and demands this. We others are the exception and the danger - and we need eternally to be defended. 

Well, there actually are things to be said in favor of the exception, provided that it never wants to become the rule.

[Friedrich Nietzsche]
The Gay Science, 76




All subjects, no matter how specialised, are connected with a centre; they are like rays emanating from a sun. 

The centre [...] is the place where [man] has to create for himself an orderly system of ideas about himself and the world, which can regulate the direction of his various strivings.

The centre is constituted by our most basic convictions, by those ideas which really have the power to move us. In other words, the centre consists of metaphysics and ethics, of ideas that - whether we like it or not - transcend the world of facts. Because they transcend the world of facts, they cannot be proved or disproved by ordinary scientific method. 

But that does not mean that they are purely “subjective' or 'relative' or mere arbitrary conventions. They must be true to reality, although they transcend the world of facts - an apparent paradox to our positivistic thinkers. If they are not true to reality, the adherence to such a set of ideas must inevitably lead to disaster.

Education can help us only if it produces 'whole men'. The truly educated man is not a man who knows a bit of everything, not even the man who knows all the details of all subjects (if such a thing were possible): the ‘whole man', in fact, may have little detailed knowledge of facts and theories, he may treasure the Encyclopaedia Britannica because ‘she knows and he needn't, but he will be truly in touch with the centre. 

He will not be in doubt about his basic convictions, about his view on the meaning and purpose of his life. He may not be able to explain these matters in words, but the conduct of his life will show a certain sureness of touch which stems from his inner clarity.

[E.F. Schumacher]
Small is Beautiful, p. 77



Related posts:-
Status Quo
Middle World
Top-down / Bottom-up
Order and Chaos
Conscious / Unconscious
In-between
Know Your Place
Shades of gray
Storytelling
Constellating
Breakdown
Open Wound
Do Not Disturb
Dancing at the Border