Showing posts with label Hillman. Show all posts
Showing posts with label Hillman. Show all posts

Logos / Mythos



Logos       -          Mythos
Fact          -          Fiction
Theory      -         Story
Literal      -          Metaphorical




One ought not to make ‘cause' and 'effect' into material things, as natural scientists do (and those who, like them, naturalize in their thinking - ), in accordance with the prevailing mechanistic stupidity which has the cause press and push until it ‘produces an effect'; one ought to employ 'cause' and 'effect' only as pure concepts, that is to say as conventional fictions for the purpose of designation, mutual understanding, not explanation. 

In the ‘in itself' there is nothing of 'causal connection', of 'necessity', of 'psychological unfreedom'; there ‘the effect’ does not ‘follow the cause', there no 'law' rules. It is we alone who have fabricated causes, succession, reciprocity, relativity, compulsion, number, law, freedom, motive, purpose; and when we falsely introduce this world of symbols into things and mingle it with them as though this symbol-world were an 'in itself', we once more behave as we have always behaved, namely mythologically

[Friedrich Nietzsche]
Beyond Good and Evil, 21




The normal person, says Adler, takes guiding principles and goals, metaphorically, with the sense of 'as if.' "To him they are a figure of speech," heuristic, practical constructs.

"The neurotic, however, catches at the straw of fiction, hypostasizes it, ascribes to it a real value." Finally, "in the psychoses, it is elevated to a dogma." What makes madness is literalism.

To be sane we must recognize our beliefs as fictions, and see through our hypotheses as fantasies.

[James Hillman]
Healing Fiction, p.111




Nothing hinders us from reversing the progression from Mythos to Logos and studying the chain from Logos to Mythos. Moreover, it would be even more productive to consider the logological and the mythological as two equal types of narratives, especially since in Ancient Greece both terms, λέγω и μυθέω, meant discourses of different semantic shades.

The “contemporal moment” demands that we approach the logological side of Plato seriously (even descending to the level of his “naive” idealism) and that we leave the mythological dimension aside, insofar as such simply reflects the “remnants and superstitions of the era.”

But upon establishing distance from the contemporal moment, this whole interpretive system collapses, and we can and should turn to the Mythos and Logos simultaneously, on common grounds, in search of what really interests us.

The basic paradigms of thinking (and that means the sources of philosophy) are to be placed not in the realm of the Logos, but in the realm of the Nous (νοῦς) which can be seen as the common source of both Logos and Mythos.

[Aleksandr Dugin]
The Three Logoi: An Introduction to the Triadic Methodology of NOOMAKHIA, Chap. 2




The contrast, indeed the opposition, between art and life [...] provides a way of exempting art - including narrative - from its moral tasks. And the relegation of art by modernity to the status of an essentially minority activity and interest further helps to protect us from any narrative understanding of ourselves.

Yet since such an understanding cannot be finally and completely expelled without expelling life itself, it continuously recurs within art: in the realistic novels of the nineteenth century, in the movies of the twentieth century, in the half-suppressed background plot line which lends coherence to the reading of each morning's newspaper.

Nonetheless to think of a human life as a narrative unity is to think in a way alien to the dominant individualist and bureaucratic modes of modern culture.

[Alasdair MacIntyre]
After Virtue, p.264




[...] man is in his actions and practice, as well as in his fictions, essentially a story-telling animal. He is not essentially, but becomes through his history, a teller of stories that aspire to truth.

But the key question for men is not about their own authorship; I can only answer the question 'What am I to do?' if I can answer the prior question 'Of what story or stories do I find myself a part?' We enter human society, that is, with one or more imputed characters - roles into which we have been drafted - and we have to learn what they are in order to be able to understand how others respond to us and how our responses to them are apt to be construed.

It is through hearing stories about wicked stepmothers, lost children, good but misguided kings, wolves that suckle twin boys, youngest sons who receive no inheritance but must make their own way in the world and eldest sons who waste their inheritance on riotous living and go into exile to live with the swine, that children learn or mislearn both what a child and what a parent is, what the cast of characters may be in the drama into which they have been born and what the ways of the world are.

When someone complains - as do some of those who attempt or commit suicide - that his or her life is meaningless, he or she is often and perhaps characteristically complaining that the narrative of their life has become unintelligible to them, that it lacks any point, any movement towards a climax or a telos.

Hence the point of doing any one thing rather than another at crucial junctures in their lives seems to such person to have been lost.

[Alasdair MacIntyre]
After Virtue, p.250, 252



Related posts:

Apollo / Dionysus




Apollo             -            Dionysus
Culture            -            Nature
Tighten            -            Loosen
Together          -            Apart
Modern           -             Postmodern
Construct         -            Deconstruct
Vertical            -            Horizontal
Narrow            -            Wide
Mono               -             Poly
Centre              -            Periphery
Reason             -            Intuition
Known             -            Unknown
High                 -            Low
Inflate               -            Deflate
Spirit                -             Soul
Conscious        -             Unconscious
Light                -             Dark 
Heaven            -              Earth





In The Birth of Tragedy Apollo and Dionysus, whatever character each of them possesses in other contexts and different bodies of lore, are defined as opposing forces.

Dionysus is a god of nature, associated with forces biological and violent, orgiastic mysteries, with everything that refuses to be civilised. Apollo is the god of civilisation: if he were linguistic, he would be the perfectly formed sentence, self-possessed in its transparency.

Dionysus wants not to possess himself but to lose himself in an ecstasy in which he and nature are one and the same: the methods of ecstasy are intoxication, sexuality, the Dionysiac music and dance, the dithyramb in which the barrier between man and nature are overwhelmed.

As he appears in the Bacchae, Dionysus is wild, god of maddened group, people who drive themselves out of civilisation by wine, drugs, dismemberment. Modern versions of the Dionysiac include the forces active in bullfights, cockfights, rock concerts, wrestling, charismatic revival meetings.

In Nietzsche, tragedy is the form in which Dionysus and Apollo are reconciled.

The Dionysiac music, by itself, would be unbearable, because it would defeat culture and shatter the necessary limits implied in character and individuality. The Apolline hero is a hero because he takes upon himself the Dionysiac experience and, not at all transcending it, incorporates it in himself, reconstituting his experience now as form and beauty.

[…] the Greeks allowed for an Apolline incorporation of Dionysus, and did not try to suppress him:

“The delight in drunkenness, delight in cunning, in revenge, in envy, in slander, in obscenity - in everything which was recognised by the Greeks as human and therefore built into the structure of society and custom: the wisdom of their institutions lies in the absence of any gulf between good and evil, black and white.

Nature, as it reveals itself, is not denied but only ordered, limited to specified days and religious cults. That is not the root of all spiritual freedom in the ancient world; the ancients sought a moderate release of natural forces, not their destruction and denial.”

We are not supposed to hanker after an aboriginal state of union with nature, as if culture had never happened. Drink and drugs are deemed to be harmful for many reasons but mainly because they remove the cultural distinction between a man and the nature from which he has been rescued. Apollo must win.

Each society recognises that there are Dionysiac forces at large, and it makes some provision for them. The carnival of Fasting in Germany is a few days of tumult and licence followed by Lenten rectitude. Public entertainments, sports, including blood sports, motor racing, and sporadic limited wars are provided, as far as possible under controlled conditions.

If we continue extending the definition of culture so that it covers virtually the whole of experience, leaving nothing to nature, we will make it impossible for ourselves to understand violence and obscenity except as failures of ‘the system’.

It would be wise to regard culture as a partial and improbable transformation of natural impulse rather than a comfortable norm. That way, manifestations of violence could be considered without the normal accompaniment of shock, horror, and insult.

[Denis Donoghue]
The Arts Without Mystery, p. 83-5




The Dionysian Mysteries were a ritual of ancient Greece and Rome which used intoxicants and other trance-inducing techniques (like dance and music) to remove inhibitions and social constraints, liberating the individual to return to a natural state.

It also provided some liberation for those marginalized by Greek society: women, slaves, homosexuals and foreigners.

'Dionysian Mysteries'




Dionysus was called Lysios, the loosener.

[...] Lysis means loosening, setting free, deliverance, dissolution, collapse, breaking bonds and laws, and the final unraveling as of a plot in tragedy.

[James Hillman]
Mythical Figures, p. 29




Different from Immanuel Kant's idea of the Sublime, the Dionysian is all-inclusive rather than alienating to the viewer as a sublimating experience. The sublime needs critical distance, while the Dionysian demands a closeness of experience.

According to Nietzsche, the critical distance, which separates man from his closest emotions, originates in Apollonian ideals, which in turn separate him from his essential connection with self.

The Dionysian embraces the chaotic nature of such experience as all-important; not just on its own, but as it is intimately connected with the Apollonian. The Dionysian magnifies man, but only so far as he realizes that he is one and the same with all ordered human experience. The godlike unity of the Dionysian experience is of utmost importance in viewing the Dionysian as it is related to the Apollonian, because it emphasizes the harmony that can be found within one's chaotic experience.

'Apollonian and Dionysian'
Wikipedia




The fragilista [...] defaults to thinking that what he doesn't see is not there, or what he doesn't understand does not exist. At the core, he tends to mistake the unknown for the nonexistent.

So thanks to the fragilista, modern culture has been increasingly building blindness to the mysterious, the impenetrable, what Nietzsche called the Dionysian, in life.

[Nassim Nicholas Taleb]
Antifragile, p. 9-10




[Nietzsche] sees two forces, the Apollonian and the Dionysian. One is measured, balanced, rational, imbued with reason and self-restraint; the other is dark, visceral, wild, untamed, hard to understand, emerging from the inner layers of our selves.

Ancient Greek culture represented a balance of the two, until the influence of Socrates on Euripides gave a larger share to the Apollonian and disrupted the Dionysian, causing this excessive rise of rationalism. It is equivalent to disrupting the natural chemistry of your body by the injection of hormones. The Apollonian without the Dionysian is, as the Chinese would say, yang without yin.

[Nietzsche] called [Dionysus] “creatively destructive” and “destructively creative.” […] Nietzsche understood something that I did not find explicitly stated in his work: that growth in knowledge - or in anything - cannot proceed without the Dionysian. 

It reveals matters that we can select at some point, given that we have optionality.

In other words, it can be the source of stochastic tinkering, and the Apollonian can be part of the rationality in the selection process.

[Nassim Nicholas Taleb]
Antifragile, p. 255-6




Where spirit lifts, aiming for detachment and transcendence, concern with soul immerses us in immanence: God in the soul or the soul in God, the soul in the body, the soul in the world, souls in each other or in the world-soul. 

Owing to this immanence, dialogue is not a bridge constructed between isolated skin-encased subjects and objects, I's and Thou's, but is intrinsic, an internal relationship, a condition of the souls immanence. The I-Thou is a necessity, a given a priori with the gift of soul. 

So soul becomes the operative factor in converting the it into a Thou, making soul of objects, personifying, anthropomorphizing through psychizing, turning into a partner the object with which it is engaged and in which it has implanted soul. Through our souls, as our dreams, projections, and emotions show, we are immanent in one another. 

That souls are ontologically entailed means that we are existentially involved. Whether we like this or not, whether spirit pulls away and above, we are involved as a psychic necessity. Thus involvement becomes the first condition for admission to the psychic realm, to the field of psychology.

[James Hillman]
The Myth of Analysis, p. 27




She pops put into the pond’s clearing. The starry sky erupts above her, all the explanation a person needs for why humans have waged war on forests forever. Dennis has told her what the loggers say: Let’s go let a little light into that swamp. Forests panic people. Too much going on there. Humans need a sky. 

[Richard Powers]
The Overstory, p. 275




Every return to nature is a regressive phenomenon, including any protest in the name of instinctual rights, the unconscious, the flesh, life uninhibited by the intellect, and so forth. 

The man who becomes “natural” in this way has in reality become denatured.

[Julius Evola]
Ride the Tiger, p.123




We ought to understand the indication that the “Titans” existed (and reigned) before the gods, sub specie aeternitatis, either as a logical continuity, or as an indication of their place in the structure of the synchronic topology of the noetic cosmos.

The Titans always existed, just as the Black Logos of Cybele or the regime of the mystical nocturne. “Before” means either “higher” or “lower” depending on the viewpoint of the zone of the noetic Universe where we stand. For Mother Earth, with respect to the Titans, “before” means “better.” For the Olympians, the converse is true, since they think of themselves as the “new gods” who have won eternity in contrast to the endless cycles of the Titans’ self-closing duration. From the standpoint of the Logos of Apollo, the Titans are “ancient” because they did “not yet” know eternity, and they dwell below because they will never know it.

The discrepancy between the interpretation of the “before” and “after” is not simply the consequence of relative positioning, but an episode – and a fundamental one – of the Titanomachy, which is an expression of nothing more nor less than the choice of side in the never-ending battle of eternity against time.

The war of the gods and titans is a war for the position of the “observatory point”, a war to control it. Those who determine the paradigm, the grille de la lecture, will rule.

We thereby find ourselves in the very epicenter of the wars of the mind. The titans seek to overthrow the gods of Olympus in order to assert their Logos as the exemplary and normative one, while the gods insist on the triumph of the diurne. Therefore, the nature of any mythical figure or account depends on from what sector of the noetic cosmos we view such, and to which army we ourselves belong.

It would be highly naive to suppose that all people choose the camp of the gods, the Logos of Apollo and the solar regime of the heroic diurne. If this was the case, the Earth would be Heaven. Some tend towards the chthonic forces of the Earth, in solidarity with the worlds of the Great Mother. Some intuitively or consciously see themselves as warriors of the army of Dionysus.

As follows, we have the right to expect from such different treatments of myths, philosophical notions, and corresponding figures of Love between the three human types.

[Aleksandr Dugin]
The Three Logoi: An Introduction to the Triadic Methodology of NOOMAKHIA, Chap. 2




Stranger: There appears to be a sort of war of Giants and Gods going on amongst them; they are fighting with one another about the nature of essence.

Theaetetus: How is that?

Stranger: Some of them are dragging down all things from heaven and from the unseen to earth, and they literally grasp in their hands rocks and oaks; of these they lay hold, and obstinately maintain, that the things only which can be touched or handled have being or essence, because they define being and body as one, and if any one else says that what is not a body exists they altogether despise him, and will hear of nothing but body.

Theaetetus: I have often met with such men, and terrible fellows they are.

Stranger: And that is the reason why their opponents cautiously defend themselves from above, out of an unseen world, mightily contending that true essence consists of certain intelligible and incorporeal ideas; the bodies of the materialists, which by them are maintained to be the very truth, they break up into little bits by their arguments, and affirm them to be, not essence, but generation and motion.

Between the two armies, Theaetetus, there is always an endless conflict raging concerning these matters.

[Plato]
The Sophist




Male bonding and patriarchy were the recourse to which man was forced by his terrible sense of woman’s power, her imperviousness, her archetypal confederacy with chthonian nature.

Feminism has been simplistic in arguing that female archetypes were politically motivated falsehoods by men. The historical repugnance to woman has a rational basis: disgust is reason’s proper response to the grossness of procreative nature. Reason and logic are the anxiety-inspired domain of Apollo, premiere god of sky-cult. The Apollonian is harsh and phobic, coldly cutting itself off from nature by its superhuman purity.

[...] western personality and western achievement are, for better or worse, largely Apollonian. Apollo’s great opponent Dionysus is ruler of the chthonian whose law is procreative femaleness. As we shall see, the Dionysian is liquid nature, a miasmic swamp whose prototype is the still pond of the womb.

The tension and antagonism in western metaphysics developed human higher cortical powers to great heights. Most of western culture is a distortion of reality. But reality should be distorted; that is, imaginatively amended. The Buddhist acquiescence to nature is neither accurate about nature nor just to human potential. The Apollonian has taken us to the stars.

[Camille Paglia]
Sexual Personae, p.12-13




Everything great in western culture has come from the quarrel with nature. The west and not the east has seen the frightful brutality of natural process, the insult to mind in the heavy blind rolling and milling of matter. In loss of self we would find not love or God but primeval squalor.

This revelation has historically fallen upon the western male, who is pulled by tidal rhythms back to the oceanic mother. It is to his resentment of this daemonic undertow that we owe the grand constructions of our culture. Apollonianism, cold and absolute, is the west’s sublime refusal. The Apollonian is a male line drawn against the dehumanizing magnitude of female nature.

From the jammed glassy cells of sea roe to the feathery spores poured into the air from bursting green pods, nature is a festering hornet’s nest of aggression and overkill. This is the chthonian black magic with which we are infected as sexual beings; this is the daemonic identity that Christianity so inadequately defines as original sin and thinks it can cleanse us of.

[Camille Paglia]
Sexual Personae, p.28




From the outset Dionysus is insistently presented as the affirmative and affirming god. He is not content with "resolving" pain in a higher and suprapersonal pleasure but rather he affirms it and turns it into someone's pleasure.

This is why Dionysus is himself transformed in multiple affirmations, rather than being dissolved in original being or reabsorbing multiplicity into primeval depths. He affirms the pains of growth rather than reproducing the sufferings of individuation.

He is the god who affirms life, for whom life must be affirmed, but not justified or redeemed.

[Gilles Deleuze]
Nietzsche and Philosophy, p.13



Related posts:-
Escaping Uncertainty
Balance
Balancing Art
Pressure Valve
Rational / Irrational

A necessary lie



Nihilist                     -                    Totalitarian
Enlightenment         -                    Romanticism
Pragmatist                -                    Realist
Relative                    -                   Absolute 
Complex                  -                    Simple
Poly                          -                    Mono
Centrifugal               -                    Centripetal
Destruction               -                    Conservation
Flawed                      -                    Perfect
Relative                     -                    Absolute
Figurative                  -                    Literal
Liquid                        -                    Solid
Earth                          -                    Heaven




The 'lie' is only a lie from a certain perspective, namely that of the extremes. If atoms are the truth, then collections of atoms ('things') become mere illusion; if truth lies at the periphery, then the centre becomes a lie.
 




All things are so very uncertain. And that’s exactly what makes me feel reassured.

[Too-Ticky]
Moominland Midwinter





We must build structures and believe in them - believe that they are solid, real, and 'true' - yet at the same time we must also be aware that they are transitory, illusory, and - in the the last - only 'true-enough'.

This dilemma has been referred to as 'the Divine Paradox': we must act as if things are absolute, whilst knowing that they are, in fact, only relative. We must play a game, and believe in it enough to play it well; whilst never forgetting that it is, when all is said and done, only a game.

If we believe too much in the solidity of things then we become dogmatic, fundamentalist, totalitarian; we stiffen up, all of our pores close, and we become unable to tolerate - let alone assimilate - new information. We believe in one meaning, one God, and to hell with all the others. We become as certain as statues, rooted and immobile.

Totalitarianism can be characterised by a pathological need to conserve, or hold-together.

If we believe too little then we become skeptical, pessimistic, nihilstic - we become formless, because all form is a lie. Nothing can stick to us, or even touch us. We believe in no meanings, no God (or gods), and to hell with everyone.We become as uncertain as the breeze, unable to connect to anyone, or anything.

Nihilism can be characterised by a pathological need to destroy, or break-apart.

Beneath our structures lies an endless sea of complexity. It is the place from which all structures emerge, and into which all structures return. To glimpse this complexity can cause us intolerable anxiety, and so we may choose to shelter within the safety of our sanctuary and avoid looking outside.

But sometimes a wave comes crashing over our walls, and bursts through our doors, and we're faced with a decision: sink or swim?

Realism is a way station on the route to totalitarianism. The realist insists that there are 'truths' out there; that they stand like monoliths, strong, tall and indifferent to what we may think of them. The realist understands the danger of the sea, but believes that there is such a thing as solid ground, and that if we are diligent enough we can map out these dry places, and live upon them; and moreso, that if only we can build our structures well enough - seal up all openings and make them watertight - that we need never fear the crashing waves or the monsters of the deep. The realist likes dry places, and strong walls.

Pragmatism is a way station on the line to nihilism. Whilst the pragmatist may value his structures, he always has an ear tuned to the sea that roils and roars beyond his boundaries. He does not literalize his structures, believing that even the most impressive monument is, in the last, no more than a castle made of sand. He does not, therefore, believe in objective truths, preferring instead to think of truth as a subjective agreement; as the point of overlap between multiple views. The pragmatist likes damp places, and permeable boundaries.

The realist chooses to believe that there is a wizard, and that he is all-powerful and in control, whereas the pragmatist pulls aside the curtain and reveals the necessary lie - that the wizard is only human, that he has little power; and that what power there is, lies within all of us; and that what sanctuary there is, exists because we create it.

And so here is the tightrope on which we find ourselves: we cannot live in the sea, and so must build our structures, and to build them well we must, to a degree, believe in what we are doing - after all, those that play the game best are those to whom it isn't 'just a game.' Yet we must also never lose sight of the fact that we are, in the last, only playing; we must never take ourselves, or our creations, too seriously.

But is it possible to believe in the wizard once his secret has been revealed? Perhaps the secret, like all esoteric knowledge, is only intended for certain ears.




The neo-Freudian cultural anthropologist Ernest Becker […] believed that the emergence of self-consciousness rendered the individual’s existential position in the world permanently intolerable.

The individual aware of his or her mortal limitation has to hide from reality:

“I believe that those who speculate that a full apprehension of man’s condition would drive him insane are right, quite literally right.... Who wants to face up fully to the creatures that we are, clawing and gasping for breath in a universe beyond our ken? ... Everything that man does in his symbolic world is an attempt to deny and overcome his grotesque fate.”

Becker therefore presumed that human character was of necessity a “vital lie ... a necessary and basic dishonesty about oneself and one’s whole situation” […]

[…] Becker realized that there was something pathological about such “necessary” and “inevitable” dishonesty; knew that the trivialization of reality came at the cost of dignity and self-respect. He believed that too much exposure to reality produced an intolerable chaos, that too little produced a narrow and unbearable restriction, and that the middle ground constituted a form of far-from-admirable but perhaps necessary “philistinism” [...]

Becker was therefore finally sceptical of the benefits of psychotherapy, in general (“psychology as self-knowledge is self-deception, because it does not give what men want, which is immortality. Nothing could be plainer”) [...]

This sophisticated neo-psychoanalyst saw the world, finally, as a place of existential catastrophe, from which human beings are protected by a shield of religious and ideological delusion – the delusion being first that life has some transcendent and ultimate value and second that human beings, qualitatively different from mere animals, somehow partake in that value.

[Jordan B. Peterson]
‘Complexity Management Theory: Motivation for Ideological Rigidity and Social Conflict’, in Cortex, December 2002, p. 429-30




Our lack of "essence" or preordained structure, our "nothingness," leads us to crave solidity. We are, you could say, whirlwinds who wish they were rocks.

We cling to things in the hopes that they will provide us with a certain "weight." We try to turn our loved ones into things by demanding that they not change, or we try to change them into perfect partners, not realizing that a statue, though it may live forever, has no love to give us.

[C. George Boeree]
'Towards a Buddhist Psychotherapy'




While to THE INFINITE ALL, the Universe, its Laws, its Powers, its Life, its Phenomena, are as things witnessed in the state of Meditation or Dream; yet to all that is Finite, the Universe must be treated as Real, and life, and action, and thought, must be based thereupon, accordingly, although with an ever understanding of the Higher Truth.

Under any hypothesis the Universe in its outer aspect is changing, ever-flowing, and transitory — and therefore devoid of substantiality and reality.

But (note the other pole of the truth) under any of the same hypotheses, we are compelled to act and live as if the fleeting things were real and substantial.

Were THE ALL to imagine that the Universe were indeed Reality, then woe to the Universe, for there would be then no escape from lower to higher, divineward–then would the Universe become a fixity and progress would become impossible.

And if Man, owing to half-wisdom, acts and lives and thinks of the Universe as merely a dream (akin to his own finite dreams) then indeed does it so become for him, and like a sleep-walker he stumbles ever around and around in a circle, making no progress, and being forced into an awakening at last by his falling bruised and bleeding over the Natural Laws which he ignored.

Keep your mind ever on the Star, but let your eyes watch over your footsteps, lest you fall into the mire by reason of your upward gaze.

Remember the Divine Paradox, that while the Universe IS NOT, still IT IS. Remember ever the Two Poles of Truth– the Absolute and the Relative. Beware of Half-Truths

The Kybalion, Chapter VI: "The Divine Paradox"




Humans are often caught off guard by or slow to recognize the rare and novel, partly because built into the very nature of our experience is the propensity to extend existing knowledge and experience to future events and experiences.

To exacerbate this natural propensity much of our cultural education both formal and otherwise is built upon historical knowledge forced on us by others. Of course both the natural physiological propensity and the cultural phenomenon are somewhat a necessary precondition to learning, since complete openness to every event would be inefficient. Bertrand Russell observed, "An open mind is an empty mind."

So we cannot be completely open, but we must guard against being completely closed as well.

It would be most efficacious if we could find a balance between the known and unknown and the limits of our knowledge and experience. The effect of unexpected events is likely integral to finding this balance. Thus, the rare and unexpected is far more significant to our formation of knowledge than people often imagine.

Taleb argues that the proposition "we know", in many cases, is an illusion, albeit a necessary one; the human mind tends to think it knows, but it does not always have a solid basis for this delusion of "I know". 

This notion that we do not know is very old, dated at least as far back as Socrates. The Socratic method of questioning and avowal of ignorance is the type of corrective action to the delusion that we know something completely and truly.

Similarly, to those who might argue that the advancement of science has rendered the world well-known, Taleb argues that while science added knowledge, we always run the risk of experiencing the improbable, rare, and novel. We can be shocked by this knowledge and experience or we can be open to it. As with the dictum of Socrates, "the only thing I know is that I do not know", which is as true as ever, Taleb concludes. Taleb further expands this idea of finite knowable worlds (e.g., a game) vs. infinite and thus unknowable worlds (our natural world) in what he calls the Ludic fallacy.

'The Black Swan (Taleb book)'





The main damaging movement away from the soul's double nature Adler calls "the masculine protest," the need to win, to come out on top. He also called this the "striving for perfection" or "superiority."

The psyche constructs; it invents images and the mind follows them as its guides; "guiding fictions," Adler calls them.

So, perfection is a necessary fiction, pragmatically necessary just as truth is "merely the most expedient error." 

When we realize the goal of perfection toward which we strive as an impossibility in every objective and literal sense, then we are also able to recognize how necessary is this fictional perfection.

Goals are thrown up by the psyche as bait to catch the living fish, fictions to instigate and guide action. As Jung said, "A spiritual goal that points beyond ... is an absolute necessity for the health of the soul."

One feels purposefulness, that there is a way and one is moving on a way, a process of towardness, called by Adler striving for perfection, by Jung individuation.

We can keep this way moving only by keeping purposefulness from becoming literalized into definite goals.

Goals, especially the highest and finest, work like overvalued ideas, the roots of delusions that nourish great canopies of sheltering paranoia, those spreading ideals of size and import which characterize the positive goals of so many schools of therapy today.

We see enough of the disastrous effect of goals in daily life, where the belief in an overriding idea about one's purpose in life, what one has to do, the raison d'etre for one's existence turns out to be the very goal which blocks the way.

'To be healed' is the goal which takes one into therapy, and we are healed of that goal when we recognize it as a fiction.

So the best psychotherapy can do is attune the fictional sense. Then the goals toward which therapy strives - maturity, completion, wholeness, actualization - can be seen through as guiding fictions. Then they do not close the way.

Therapy becomes less a support of the "great upward drive" than it is a job of deliteralizing the fictions in which purpose is fixed and where one is actually defending oneself against the soul's innate 'towardness' by means of one's goals.

This suggests that the only possible perfection that the soul can want is perfection of its fictional understanding, the realization of itself in images, itself a fiction among fictions.

This method of as-if keeps the way open, and it seems to be where the Adlerian approach comes closest to the religious idea that the final goal is the way itself, in this case, the way of fiction.

[James Hillman]
Healing Fiction, p.103-6




The normal person, says Adler, takes guiding principles and goals, metaphorically, with the sense of 'as if.'"To him they are a figure of speech," heuristic, practical constructs.

"The neurotic, however, catches at the straw of fiction, hypostasizes it, ascribes to it a real value." Finally, "in the psychoses, it is elevated to a dogma."  

What makes madness is literalism.

To be sane we must recognize our beliefs as fictions, and see through our hypotheses as fantasies.

[James Hillman]
Healing Fiction, p.111




Healing, and cure, positive and negative, ego and the unconscious, matriarchy and stages of development, are not literal 'reals,' but heuristic fictions or fantasies which must be recognized as such if psychotherapy is to keep connected with what Giegerich calls "the neurosis of our own discipline."

[James Hillman]
Healing Fiction, p.113




Any idiot can look at the world and see that it is fragmented, that a lot things don’t seem to fit together or make sense, and that in a diverse world with diverse cultures there are diverse beliefs and multiple framing-stories that people have used to make sense of it all.

Religion in general is a way of framing the diversity and fragmentation of the world into a larger meta-narrative that helps us human beings to cope and make sense of it all. Religion exists in order to make order out of chaos and help us find connective meaning to our lives - connective meaning that we are connecting to something larger, more meaningful, more real.

The crisis of belief comes when you think you are only part of a smaller framing-story that doesn’t make sense of reality and then life becomes meaningless because the story can’t hold the whole. That’s when existentialism comes in (if I feel, that at least gives me meaning) or the will-to-power (if I take control, at least I can give some meaning to my life.)

So that’s why I love deconstructionism. Deconstructionism allows us to see what the framing stories are in our life, how they have helped us make sense of our lives, and where they came from. It shows us the provincial nature of our world-view (geographically, experientially, culturally, philosophically) and shows us that other people have other stories that make sense of similar realities differently. It’s like comparative religious studies on a personal, cultural level.

[...] decontructionism allows us to see our beliefs for what they are, for their reach, and for whether or not they make sense of the real realities we face. They allow us to compare our framing-stories to see which ones make more sense.

 From blog 'Embarking'




[...] Derrida operates with two different metaphors of the postal system, corresponding to two different 'epochs' in the relation of language and truth.

On the one hand is the legalized channel of regular exchange where messages are sent 'under proper signature to the proper recipient'. This network is policed and maintained by the same laws that guarantee the truth of self-present meaning, the rules of correct interpretation and the 'restricted economy' of language in general.

But there is another, more liberating aspect of 'the post' where the system - as Derrida puts it - appears to 'take a leap' and suggest what possibilities might be opened up if those rules were perceived as mere normative conventions.

[Christopher Norris]
Derrida, p. 192-3




Hillman's point that we need to keep the hermeneutical options open is well taken - however, humans are "in fact" limited by and to space, time, matter, culture and their "heroic egos," requiring at least provisionally solid solutions and practical guidance for a given situation.

Jung made it clear that he counseled two kinds of people: those who needed solid factual steps to resolve a pressing problem, and those who were in touch with the Collective Unconscious and capable of dialoguing with the imaginal realm.

Not everyone is adept at "psychologizing". It would seem that a truly polytheistic methodology could make room for the literalists among us.

The fact is that many if not most polytheists view their deities as literally existing in some way. Hillman places much of the blame for literalism on monotheism. He critiques Kant's "categorical monotheistic mind", but we need to recognize that such a mind is as much a part of the human psyche as are the erratic polytheistic Gods of "Orphic and Neoplatonic mythology."

[Michael Bogar]
'James Hillman: Postmodern Romantic Reductionist, and Trickster'




Like Rorty, McDowell emphasizes that we cannot get outside our particular perspectives or worldviews. But unlike Rorty, he does not conclude that this means we must give up our notions of truth and objectivity altogether.

To preserve a distinction between a truth that consists of consensus and a truth that consists in getting things objectively right, McDowell argues, "is not to try to think from outside our practices; it is simply to take it seriously that we can really mean what we say from within those practices."

Indeed, he asks, what would it mean to have a worldview if, à la Rorty, we avoid the idea that our statements are true in light of the way the world is in our view of it?

But though Rée, as a Gadamer scholar, thinks Rorty's philosophical stance may be unimpeachable, he is not sure that humankind can master its own future the way Rorty seems to believe.

"One possible picture of metaphysics," he explains, "is that it's rooted not in the studies we make as students but in the ways we try to make sense of ourselves starting from earliest infancy. Our notions may not withstand a Rortyan scrutiny—they may not be not justified in any way.

But nevertheless they're not arbitrary. We've grown to be the people we are because of them. It's more than a matter of will that we came by them, and it's more than a matter of will to change them."

[James Ryerson]
'The Quest for Uncertainty: Richard Rorty's pragmatic pilgrimage'




Despite his respect for the honourable business of the search for clarity, Wittgenstein was wary of the false clarity that scientific thinking, and sometimes the mere business of formulation in language, brings.

I referred earlier to the way in which language's particular contribution to thought is to give it clarity and solidity: as his disciple Friedrich Waismann saw, speaking of the mind's own processes, a psychological motive ‘thickens, hardens, and takes shape, as it were, only after we express it in words’.

We need to struggle towards objectivity, and yet the reality we aim to reveal is itself not precise, so that the artificial precision of our language betrays us.

[...] things as they exist in practice in the real world, rather than as they exist in theory in our representations, are likely to be intrinsically resistant to precision and clarification. That is not our failure, but an indication of the nature of what we are dealing with.

That does not mean we should give up the attempt. It is the striving that enables us to achieve a better understanding, but only as long as it is imbued with a tactful recognition of the limits to human understanding. The rest is hubris.

[Iain McGilchrist]
The Master and his Emissary, p. 157, 461




The Enlightenment supposed that there was a closed, perfect pattern of life [...]

There was some particular form of life and of art, and of feeling and of thought, which was correct, which was right, which was true and objective and could be taught to people if only we knew enough.

There was some kind of solution to our problems, and only if we could construct a structure which accorded with the solution and then proceed to fit ourselves, to put it crudely, into the structure, we should obtain answers both to problems of thought and to problems of action.

But if this is not so, if ex hypothesi the universe is in movement and not at rest, if it is a form of activity and not a lump of stuff, if it is infinite and not finite, if it is constantly varying and never still, never the same [...] how can we possibly even try to describe it?

When we try to describe the light we can describe it accurately only by putting it out. Therefore do not let us attempt to describe it. But you cannot not attempt to describe it, because that means to stop expressing, and to stop expressing is to stop living.

[...] to live is to do something, to do is to express your nature. To express your nature is to express your relation to the universe. Your relation to the universe is inexpressible, but you must nevertheless express it. 

This is the agony, this is the problem.

[Isaiah Berlin]
The Roots of Romanticism, p. 105




If you look at your face in the mirror, all you see is skin, hair and eyes. But you know first hand what you can’t see - your love of music, your hopes, your fears, your aspirations. All of your conscious experiences, that huge rich world that’s the real you - you can’t see that. It’s hidden behind this simple interface symbol that we call a face.

When I look at my cat […] I believe that there is a consciousness I’m interacting with [but] all I see is this furry cute face. When we get down to a rat it’s even worse, and an ant - now my interface is giving me very little insight, but for all I know the consciousness I’m interacting with is very rich.

[At some point] my interface has to give up. I have a finite number of resources in my interface, [and there] is an infinite realm of consciousness out there, so I have to simplify. And then I simplify things to the point where I see nothing conscious there at all, and then I say ‘that’s the fundamental reality.’

We mistake the limits of our interface for a fundamental nature of reality.

We have to take our perceptions seriously. I don’t want to step in front of a bus [so] I take [the bus] very seriously - but I don’t take it literally. 

From an evolutionary point of view this makes sense. Evolution shaped us with symbols designed to keep you alive, you have to take them seriously [...] but that doesn’t entitle us to take them literally.

[Donald Hoffman]
'Reality is Not As It Seems'




[...] Kant allows that the ideas of speculative metaphysics have a proper function, and what he attacks is really only the attempt to make them perform another function, which they cannot perform.

Their proper function, according to him, is to serve as notional points of reference, which lie outside the system of factual knowledge, and so can be used to orient it. They are not parts of the system, but ideals to which it approximates. 

For example, a single theory, in which everything would find a place and be explained, is neither necessary nor possible, but the idea of such a theory serves as a guide for the theories which we do construct. It goes too far, but it goes too far in the right direction.

The mistake, Kant thought, is to suppose that such metaphysical ideas have an objective basis outside the system of factual knowledge, instead of recognising them for what they are, purely notional prolongations of lines which guide the development of human thought.

It is as if a diagram were misread, because a point, which functioned only in its geometrical construction, was taken to represent something.

[David Pears]
Wittgenstein, p. 28-9




[…] it is high time to replace the Kantian question ‘how are synthetic judgements a priori possible?’ with another question: ‘why is belief in such judgements necessary?’ - that is to say, it is time to grasp that, for the purpose of preserving beings such as ourselves, such judgements must be believed to be true; although they might of course be false judgements! 

Or, more clearly, crudely and basically: synthetic judgements a priori should not ‘be possible’ at all: we have no right to them, in our mouths they are nothing but false judgements. But belief in their truth is, of course, necessary as foreground belief and ocular evidence belonging to the prospective optics of life.

[Friedrich Nietzsche]
Beyond Good and Evil, 11



It is no more than a moral prejudice that truth is worth more than appearance; it is even the worst-proved assumption that exists. 

Let us concede at least this much: there would be no life at all if not on the basis of perspective evaluations and appearances; and if, with the virtuous enthusiasm and awkwardness exhibited by some philosophers, one wanted to abolish the apparent world altogether, well, assuming you could do that - at any rate nothing would remain of your ‘truth' either! 

Indeed, what compels us to assume there exists any essential antithesis between 'true' and 'false'? Is it not enough to suppose grades of apparentness and as it were lighter and darker shades and tones of appearance - different valeurs, to speak in the language of painters? Why could the world which is of any concern to us - not be a fiction? 

[Friedrich Nietzsche]
Beyond Good and Evil, 34



“One’s maturity - consists in having found again the seriousness one had as a child, at play.” Wisdom and age do not replace youth and naiveté once and for all. What to the old now seems only a toy was not merely representation but reality to the child. But the present toys of the old must also, from within their own point of view, appear to be reality themselves.

[…] the metaphor suggests that in our efforts to come to terms with the world not only do we simplify it but, in addition, we cannot think that we do.

In order to be motivated to produce a new view, interpretation, painting, theory, novel, or morality, one must not think that it is simply one among many equally good alternatives; one must believe that it is a very good, perhaps the best, view, interpretation, painting, theory, novel, or morality. Nietzsche writes that truth is created and not discovered; but he still believes that we must think of it as something we discover in order to go on to create it.

[Alexander Nehamas]
Nietzsche: Life as Literature, p. 58-9




“I am afraid that we are not rid of God because we still have faith in grammar.” But what [Nietzsche] considers necessary for belief in God, who here represents the ultimate substance, is not only grammar but also faith in it.

The will to power constitutes a challenge to the concepts of substance and attribute. Since these concepts, according to Nietzsche, depend on out taking our grammar too seriously, the will to power also constitutes a challenge to our common means of expression […]

He claims not that our language is wrong but that we are wrong in taking it too seriously.

He argues that even if the grammatical categories of subject and predicate are categories that are essential to us, this does not imply that the ontological categories of substance and attribute, or any others, are correct […] Nietzsche tries to reinterpret them in order to bring this point out, and he tries to accomplish this goal by offering a reinterpretation of these categories themselves, by trying to show that neither substances nor attributes, neither agents nor effects, are as we commonly take them to be.

[Alexander Nehamas]
Nietzsche: Life as Literature, p. 96




We grossly overestimate the effect of misfortune on our lives.

You think that the loss of your fortune or current position will be devastating, but you are probably wrong. More likely, you will adapt to anything, as you probably did after past misfortunes. You may feel a sting, but it will not be as bad as you expect. This kind of misprediction may have a purpose: to motivate us to perform important acts (like buying new cars or getting rich) and to prevent us from taking certain unnecessary risks.

And it is part of a more general problem: we humans are supposed to fool ourselves a little bit here and there. 

According to Trivers’s theory of self-deception, this is supposed to orient us favourably toward the future.

[Nassim Nicholas Taleb]
The Black Swan, p. 195




We see that science also rests on a faith; there simply is no science "without presuppositions." The question whether truth is needed must not only have been affirmed in advance, but affirmed to such a degree that the principle, the faith, the conviction finds expression: “Nothing is needed more than truth, and in relation to it everything else has only second-rate value."

This unconditional will to truth-what is it? Is it the will not to allow oneself to be deceived? Or is it the will not to deceive? For the will to truth could be interpreted in the second way, too if only the special case "I do not want to deceive myself” is subsumed under the generalization "I do not want to deceive." But why not deceive? But why not allow oneself to be deceived?

Note that the reasons for the former principle belong to an altogether different realm from those for the second. One does not want to allow oneself to be deceived because one assumes that it is harmful, dangerous, calamitous to be deceived. In this sense, science would be a long-range prudence, a caution, a utility; but one could object in all fairness: How is that? Is wanting not to allow oneself to be deceived really less harmful, less dangerous, less calamitous? 

What do you know in advance of the character of existence to be able to decide whether the greater advantage is on the side of the unconditionally mistrustful or of the unconditionally trusting? 

But if both should be required, much trust as well as much mistrust, from where would science then be permitted to take its unconditional faith or conviction on which it rests, that truth is more important than any other thing, including every other conviction? Precisely this conviction could never have come into being if both truth and untruth constantly proved to be useful, which is the case. 

Thus—the faith in science, which after all exists undeniably, cannot owe its origin to such a calculus of utility; it must have originated in spite of the fact that the disutility and dangerousness of "the will to truth," of "truth at any price" is proved to it constantly […] Consequently, "will to truth" does not mean "I will not allow myself to be deceived" but - there is no alternative - “I will not deceive, not even myself"; and with that we stand on moral ground

For you only have to ask yourself carefully, "Why do you not want to deceive?" especially if it should seem - and it does seem! as if life aimed at semblance, meaning error, deception, simulation, delusion, self-delusion, and when the great sweep of life has actually always shown itself to be on the side of the most unscrupulous polytropoi.

Thus the question "Why science?" leads back to the moral problem: Why have morality at all when life, nature, and history are "not moral"? No doubt, those who are truthful in that audacious and ultimate sense that is presupposed by the faith in science thus affirm another world than the world of life, nature, and history: and insofar as they affirm this “other world” - look, must they not by the same token negate its counterpart, this world, our world? 

- But you will have gathered what I am driving at, namely, that it is still a metaphysical faith upon which our faith in science rests - that even we seekers after knowledge today, we godless anti-metaphysicians still take our fire, too, from the flame lit by a faith that is thousands of years old, that Christian faith which was also the faith of Plato, that God is the truth, that truth is divine. 

[Friedrich Nietzsche]
The Gay Science, 344




Over immense periods of time the intellect produced nothing but errors. A few of these proved to be useful and helped to preserve the species: those who hit upon or inherited these had better luck in their struggle for themselves and their progeny. 

Such erroneous articles of faith, which were continually inherited, until they became almost part of the basic endowment of the species, include the following: that there are enduring things; that there are equal things; that there are things, substances, bodies; that a thing is what it appears to be; that our will is free; that what is good for me is also good in itself. 

It was only very late that such propositions were denied and doubted; it was only very late that truth emerged - as the weakest form of knowledge. It seemed that one was unable to live with it: our organism was prepared for the opposite; all its higher functions, sense perception and every kind of sensation worked with those basic errors which had been incorporated since time immemorial. Indeed, even in the realm of knowledge these propositions became the norms according to which "true" and "untrue" were determined down to the most remote regions of logic.

Thus the strength of knowledge does not depend on its degree of truth but on its age, on the degree to which it has been incorporated, on its character as a condition of life. 

[…] knowledge became a piece of life itself, and hence a continually growing power - until eventually knowledge collided with those primeval basic errors: two lives, two powers, both in the same human being. A thinker is now that being in whom the impulse for truth and those life-preserving errors clash for their first fight, after the impulse for truth has proved to be also a life-preserving power. 

To what extent can truth endure incorporation? That is the question; that is the experiment.

[Friedrich Nietzsche]
The Gay Science, 110




Ah, you don't know yet how folly serves us? It keeps us from knowing ourselves; for the sight of oneself is very sad; and since it is never good to know oneself, it would not do for folly to leave men even for a single moment.

[Bernard Le Bovier de Fontenelle]
Dialogues of the Dead, Part III, Dialogue 4




A dilemma confronts any section of the élite that tries to act scientifically.

The political life of the masses and the cohesion of society demand the acceptance of myths. A scientific attitude toward society does not permit belief in the truth of the myths. But the leaders must profess, indeed foster, belief in the myths, or the fabric of society will crack and they be overthrown.

In short, the leaders, if they themselves are scientific, must lie.

It is hard to lie all the time in public but to keep privately an objective regard for the truth. Not only is it hard; it is also ineffective, for lies are often not convincing when told with a divided heart. The tendency is for the deceivers to become self-deceived, to believe their own myths. When this happens, they are no longer scientific.

Sincerity is bought at the price of truth.

[James Burnham]
The Machiavellians: Defenders of Freedom, p. 243-4



Related posts:-

Mind Your Language




Noun                          -                    Verb
Being                         -                    Becoming
Solid                          -                    Liquid
State                           -                    Process
Rational                     -                    Empirical
Essentialism               -                    Nominalism
Left hemisphere         -                    Right hemisphere




And so castles made of sand,
fall in the sea,
eventually.

[Jimi Hendrix]






[...] language tends to divide our experience into segments that have the appearance of objects.

[Denis Donoghue]
The Arts Without Mystery, p. 87-8







If our language tends to foster the delusion of misplaced concreteness, it is particularly nouns - substantives - that get in the way of our being able to clearly see the flux and interconnectedness of our world.

Yet the problem is not so much words per se as our relationship with them.

"Language [...] is a remarkable servant and a lousy master."

And there exists something called poetry, which is the practice of using words to say what cannot be said in words.

Language labels things for us. Jean Piaget wrote: "Intelligence organizes the world by organizing itself." The problem with language is that it turns the world into things. Because of the incredible convenience of language, we hypnotize ourselves into believing the reality of linguistic symbols, especially nouns.

Gregory Bateson, following the inspiration of Anatol Holt, used to say that he wanted to get a bumper sticker that would say, "Stamp out Nouns."

Nouns, representing so-called persons, places, things, and ideas, are a marvelous convenience to allow us to get up and to move our mouth parts at each other and communicate, but they don't represent anything except for a very provisional and temporary kind of reality.

[Stephen Nachmanovitch]
'Old Men Ought to be Explorers', p.10-11
'Improvisation as a Tool for Investigating Reality', found here.




Anthropologist Rupert Ross said that primordial languages often center on the use of verbs rather than nouns.

Native Americans for example, tend not to label individuals, but look at people as a process rather than a static thing.

Ross says, "When we apply such labels to real people, however, they tend to stick. And when they stick, they cause us to start denying the complexity and wholeness of the human beings we are speaking of."

Many primordial languages in the Americas had no words for guilt or shame. For example, the Apaches say those words were developed by white men to control one another. Actions that we think of as unforgivable actions were considered by many native cultures as mistakes which created opportunities to discover more about themselves and growth toward deeper wisdom.

When living close to nature, everything is in a constant flux of change. Nothing stays good or bad forever. Judgment and expectation get us in trouble. They become shorthand for a dead-end label that some thing or some one is good or bad.

[Sunny Strasburg]
'Violence and the Need for Tribalism', found at Reality Sandwich




The physicist David Bohm argued that quantum reality is so very different from our everyday large scale experience that it requires a new language for its discussion.

Our Indo-European languages are strongly noun based and subject-object structured. For Bohm they represent a barrier to deeper understanding. The essence of the quantum world is flux, movement, transformation, symmetry and relationship rather than individual objects in interaction.

For Bohm the essence of such a reality requires a verb-based, process-based language - probably one very close to that still spoken by the Blackfoot.

[F. David Peat]
'Creativity: The Meeting of Apollo and Dionysus'




He: But aren't you supposed to be inside? My interior person?

Chest-Voice: You are stuck in words. Interior simply means deeper. Going inward simply means going more deeply into things, into their heart and soul.

Interior is a sense of inward chambers, the hollow in the chest that resounds. It isn't a place to go and it doesn't mean all those things you've learned and taken so literalistically: introverting, introspecting, internalizing.

[James Hillman]
Healing Fiction, p.122




Unlike Westerners, Ladakhis never express themselves with certitude about something they have not experienced. Any event in which they have not personally participated will be described using verbs that reflect the limitations of their knowledge: "It is said that ...,""It appears that ...,""It is probable that ..." If I ask someone, "Is it a big house?" he or she will be likely to answer, "It seemed big to me."

Even when people have personal experience, they are far more reluctant than we are to categorize and judge. Good and bad, fast and slow, here and there; these are not sharply different qualities. In the same way, Ladakhis will not think in terms of fundamental opposition, for instance, between mind and body or reason and intuition.

Ladakhis experience the world through what they call their semba, best translated as a cross between "heart" and "mind." This reflects the Buddhist insistence that Wisdom and Compassion are inseparable.

[Helena Norberg-Hodge]
Ancient Futures: Learning From Ladakh, p.82




While rationality can explain much, there are limits to human capabilities of understanding. The English language is structured to account for cause and effect. For example, English speakers say, "It is raining," with the implication that there is a cause "it" that leads to rain.

Many Indian languages, on the other hand, merely note what is most accurately translated as "raining" as an observable fact. Such an approach brings a freedom to stop worrying about causes of things, and merely to relax and accept that our human insights can only go so far.

By not taking ourselves too seriously, or overinflating human importance, we can get beyond the logical world.

[Walter L. Williams]
The Spirit and the Flesh, p.20-1




"From West to East" is a commonplace journalistic structure for an article. "From West to Female" is more like poetry. By jumping from one criterion, one binary, to another, it represents a real difference rather than the staged differences of the binary. It's fresh!  

[language becomes] mere texture when dichotomy ends.

What the remapping of the binaries produces, I think, is something irrational: beauty. 

It also produces a sort of self-knowledge; the realisation that all truths are provisional, contextual, consensual, habitual. It's therefore good to break one's habits from time to time -- to "binary hop".

[Momus]
'Binary hopping'





Montaigne's thinking baffles our most common categories. The vision of an ever-changing world that he developed threatens the being of all things. ‘We have no communication with being’.

We wrongly take that which appears for that which is, and we indulge in a dogmatic, deceptive language that is cut off from an ever-changing reality. We ought to be more careful with our use of language. 

Montaigne would prefer that children be taught other ways of speaking, more appropriate to the nature of human inquiry, such as ‘What does that mean ?’, ‘I do not understand it’, ‘This might be’, ‘Is it true?’

Montaigne himself is fond of ‘these formulas that soften the boldness of our propositions’: “perhaps”, “to some extent”, “they say”, “I think”, and the like.

“I can see why the Pyrrhonian philosophers cannot express their general conception in any manner of speaking ; for they would need a new language. Ours is wholly formed of affirmative propositions….”

'Michel de Montaigne'





Saussure pointed out that the association of a given sound, or signifier, with a given concept, or signified, is arbitrary - there’s nothing natural, simple, or permanent about it. Saussure wrote, “the arbitrary nature of the sign … dominates all the linguistics of language; its consequences are numberless.”

[The arbitrary association between signifier/signified] suggested an uncertainty, or slippage, in language, that would become a key tenet of poststructuralism.

How does that slippage arise? In place of the idea that signified and signifier were closely tied to one another, Saussure observed that each term is defined in relation to other, similar, terms nearby. For example, the sound of the word ‘horse’ differs only slightly from ‘horn’ and ‘hearse.’ Saussure pointed out that the concept, the signified, was also defined differentially, in the same way. Defining meaning not positively, but negatively, as a gap between adjacent terms, also contributed to this sense of slippage […]

Saussure had another diagram to express the blurry boundaries between terms - he redrew the series of signifiers [and signifieds] as a continuum. It’s language’s role to delineate units of meaning, and map between these two streams.

“It is mysterious that language works out its units while taking shape between two shapeless masses.”

[Christopher Bolton]
Animating Poststructuralism



Saussure's radical observation that signifieds are linked only arbitrarily to signifiers, defined by the structure of a given language system, led him also to notice that the signified is not stable, but the signified slides under the signifier because that signifier requires other signifiers to define the original arbitrary one (e.g., "deciduous broad-leafed trees of the genus Quercus or Lithocarpus").

Each of those signifiers ("deciduous" and "broad-leafed" and "trees" and, yes, even "of") yield signifieds which are themselves caught up in the slippage under their signifieds, a process that could possibly slide all the way to pure meaninglessness.

One of Derrida's unlikely allies, Jaques Lacan, a French Freudian psychoanalyst, gave a series of lectures in which he reapplied Saussurian linguistics to Freud and launched a new theory of personality.

In Lacan's appropriation of Deconstruction, we are "normal" (i.e., merely neurotic) because our minds refuse to notice most of the slippage Derrida insisted was going on. 

Those who could not resist seeing the slippage fell into psychosis, which presents verbal symptoms known, for instance, as "word salad," "clang associations," "knight's move" thinking, "neologism" (coining new words), etc.. Thus, language's identity-structuring power could be used to explain losses of structure, as well. 

'Slippage of the Signified Under the Signifier: Unstable Identity in Language'





With the rise of Saussurian linguistics in the twentieth century, it has become fashionable to insist on the arbitrary nature of the sign - a fascinating and counterintuitive move, designed to emphasise the 'freedom' of language as far as possible from the trammels of the body and of the physical world it describes.

There is, however, plenty of evidence that the sounds of words are not arbitrary, but evocative, in a synaesthetic way, of the experience of the things they refer to.

Why do I emphasise this bodily origin of thought and language? Partly it has been denied in our own age, not by any means only, or even mainly, by de Saussure and his followers.

More than that, the fact of its denial seems to me to form part of a general trend, throughout the last hundred years or so, towards the ever greater repudiation of our embodied being, in favour of an abstracted, cerebralised, machine-like version of ourselves that has taken hold on popular thinking [...]

[Iain McGilchrist]
The Master and his Emissary, p. 119-20





Hegel deals with a sequence of logical categories: being, becoming, one, many, essence, existence, cause, effect, universal, mechanism, and "life". Each is examined in turn and made to reveal its own inadequacies and internal tensions. Each category is made to generate another more promising one which in its turn will be subject to the same kind of scrutiny.

Hegel calls this dynamic aspect of his thinking the power of "negation".

It is by means of this "negativity" of thought that the static (or habitual) becomes discarded or dissolved, made fluid and adaptable, and recovers its eagerness to push on towards "the whole".

Dialectical thinking derives its dynamic of negation from its ability to reveal "contradictions" within almost any category or identity.

Hegel's "contradiction" does not simply mean a mechanical denial or opposition. Indeed, he challenges the classical notion of static self-identity, A = A, or A = non-A.

By negation or contradiction, Hegel means a wide variety of relations - difference, opposition, reflection or relation. It can indicate the mere insufficiency of a category or its incoherence. Most dramatically, categories are sometimes shown to be self-contradictory.

[Lloyd Spencer]
Introducing Hegel: A Graphic Guide





[...] Popper condemns 'what is?' questions generally [...] Their quasi-magical attempt to capture the essence of reality in a definition has led Popper to brand the use of such questions as 'essentialism.'

In politics the essentialist approach leads almost naturally to Utopianism and doctrinal conflict. Genuinely important questions are more like 'What should we do in these circumstances? What are your proposals?' [...]

Because authoritarian structures incorporate the same mistaken notions of certainty, and the same mistaken assumptions about method, as does the traditional view of science, the arguments underlying Popper's criticism of the view that in politics we can, let alone should aim to, establish and preserve a certain state of society are in point after point the same of those underlying his criticism of the view that science can, let alone should aim to, establish and preserve certain knowledge.

[Bryan Magee]
Popper, p. 106-7





[...] language is necessary neither for categorisation, nor for reasoning, nor for concept formation, nor perception: it does not itself bring the landscape of the world in which we live into being.

What it does, rather, is shape that landscape by fixing the 'counties' into which we divide it, defining which categories or types of entities we see there - how we carve it up.

In the process, language helps some things stand forward, but by the same token makes others recede.

What language contributes is to firm up certain particular ways of seeing the world and give fixity to them. This has its good side, and its bad. It aids consistency of reference over time and space. But it can also exert a restrictive force on what and how we think. It represents a more fixed version of the world: it shapes, rather than grounds our thinking.

Language enables the left hemisphere to represent the world 'off-line', a conceptual version, distinct from the world of experience, and shielded from the immediate environment, with its insistent impressions, feelings and demands, abstracted from the body, no longer dealing with what is concrete, specific, individual, unrepeatable, and constantly changing, but with a disembodied representation of the world, abstracted, central, not particularised in time and place, generally applicable, clear and fixed.

Isolating things from their context brings the advantage of enabling us to focus intently on a particular aspect of reality and how it can be modelled, so that it can be grasped and controlled.

But its losses are the picture as a whole. Whatever lies in the realm of the implicit, or depends on flexibility, whatever can't be brought into focus and fixed, ceases to exist as far as the speaking hemisphere is concerned.

Language in summary brings precision and fixity, two very important features if we are to succeed in manipulating the world.

[Iain McGilchrist]
The Master and his Emissary, p. 110, 114-5





In short I would say the term "infinite" should only ever modify verbs. "Infinite counting" instead of infinity, its meaning being merely "ceaseless counting."

Nouns are usually to be suspected in precise contexts unless they describe physical objects and we are doing physics or something. Otherwise they too easily hide verbs within them.

A waving action is bundled into "a wave." An act of collecting is bundled into a "collection," more familiarly called a "set." Counting or numbering becomes "numbers." English (and I assume most languages) then lets us blithely throw these around with the same grammatical machinery as we use for physical objects.

['J J']
Comments on 'Ep. 100 - Trying to Solve Philosophy'






E-Prime (short for English-Prime or English Prime, sometimes denoted É or E′) is a version of the English language that excludes all forms of the verb to be, including all conjugations, contractions and archaic forms.

Words not used in E-prime include: be, being, been, am, is, isn't, are, aren't, was, wasn't, were, and weren't.

Bourland and other advocates also suggest that use of E-Prime leads to a less dogmatic style of language that reduces the possibility of misunderstanding or conflict.

Kellogg and Bourland describe misuse of the verb to be as creating a "deity mode of speech", allowing "even the most ignorant to transform their opinions magically into god-like pronouncements on the nature of things".

'E-Prime'
Wikipedia





Consider the following paired sets of propositions, in which Standard English alternates with English-Prime (E-Prime):


lA. The electron is a wave.
lB. The electron appears as a wave when measured with instrument-l.
2A. The electron is a particle.
2B. The electron appears as a particle when measured with instrument-2.
3A. John is lethargic and unhappy.
3B. John appears lethargic and unhappy in the office.
4A. John is bright and cheerful.
4B. John appears bright and cheerful on holiday at the beach.
5A. This is the knife the first man used to stab the second man.
5B. The first man appeared to stab the second man with what looked like a knife to me.
6A. The car involved in the hit-and-run accident was a blue Ford.
6B. In memory, I think I recall the car involved in the hit-and-run accident as a blue Ford.
7A. This is a fascist idea.
7B. This seems like a fascist idea to me.
8A. Beethoven is better than Mozart.
8B. In my present mixed state of musical education and ignorance, Beethoven seems better to me than Mozart.
9A. That is a sexist movie.
9B. That seems like a sexist movie to me. 
10A. The fetus is a person.
10B. In my system of metaphysics, I classify the fetus as a person.


The "A"-type statements (Standard English) all implicitly or explicitly assume the medieval view called "Aristotelian essentialism" or "naive realism." In other words, they assume a world made up of block-like entities with indwelling "essences" or spooks- "ghosts in the machine."

The "B"-type statements (E-Prime) recast these sentences into a form isomorphic to modern science by first abolishing the "is" of Aristotelian essence and then reformulating each observation in terms of signals received and interpreted by a body (or instrument) moving in space-time.

Relativity, quantum mechanics, large sections of general physics, perception psychology, sociology, linguistics, modern math, anthropology, ethology, and several other sciences make perfect sense when put into the software of E-Prime. Each of these sciences generates paradoxes, some bordering on "nonsense" or "gibberish," if you try to translate them back into the software of Standard English.

Concretely, "The electron is a wave" employs the Aristotelian "is" and thereby introduces us to the false-to-experience notion that we can know the indwelling "essence" of the electron. 

"The electron appears as a wave when measured by instrument-1" reports what actually occurred in space-time, namely that the electron when constrained by a certain instrument behaved in a certain way. Similarly, "The electron is a particle" contains medieval Aristotelian software, but "The electron appears as a particle when measured by instrument-2" contains modern scientific software. Once again, the software determines whether we impose a medieval or modern grid upon our reality-tunnel.

Note that "the electron is a wave" and "the electron is a particle" contradict each other and begin the insidious process by which we move gradually from paradox to nonsense to total gibberish. 

On the other hand, the modern scientific statements "the electron appears as a wave when measured one way" and "the electron appears as a particle measured another way" do not contradict, but rather complement each other. (Bohr's Principle of Complementarity, which explained this and revolutionized physics, would have appeared obvious to all, and not just to a person of his genius, if physicists had written in E-Prime all along. . . .)

I have found repeatedly that when baffled by a problem in science, in "philosophy," or in daily life, I gain immediate insight by writing down what I know about the enigma in strict E-Prime. Often, solutions appear immediately - just as happens when you throw out the "wrong" software and put the "right" software into your PC. In other cases, I at least get an insight into why the problem remains intractable and where and how future science might go about finding an answer. (This has contributed greatly to my ever-escalating agnosticism about the political, ideological, and religious issues that still generate the most passion on this primitive planet.)

'Toward Understanding E-Prime'
[Robert Anton Wilson]





Nietzsche does not simply attack the distinction between appearance and reality. He also offers, as we have seen, a psychological account of its origin.

He claims that the distinction is simply a projection onto the external world of our belief that the self is a substance, somehow set over and above its thoughts, desires, and actions.

Language, he writes, "everywhere ... sees a doer and doing; it believes in will as the cause; it believes in the ego, in the ego as being, in the ego as substance, and it projects this faith in the ego-substance upon all things - only thereby does it first create the concept of a 'thing' ... the concept of being follows, and is a derivative of, the concept of ego."

[Alexander Nehamas]
Nietzsche: Life as Literature, p. 171




Fichte's work abounds with such incantations, such as "simply," "completely,” “nothing but,” “really,” “purely," "only, “merely," "absolutely," "unconditionally.”

He knows, for example, "with absolute certainty," "that only by means of real, pure, and true thought, and simply by means of no other organ, can one grasp and bring to oneself the divinity and the blissful life that flows from it.”

In Fichte, this arises from the endeavor to force others to submit to his ideas. It was the despotic impulse for subjugation and the annihilating power of proof.

[Carl Schmitt]
Political Romanticism, p.137

Unconditional language betrays a domineering tendency, a desire for others to submit to your view




Within our Western worldview agents carry out actions, nouns/objects interact and bring about changes in each other. The author of a process is a noun, an object, and the verb is its action.

But for the Montagnais reality is profoundly different; it is flux, process and change within which individual human beings are transitory form; and manifest expression of temporary alliances of power, spirits, and energies.

[…] “he sings in the sweat tent,” is really […] an expression of a pure process of singing. It is as if many nouns emerge out of the verbs, the object out of the process […] What is really happening is “singing” - the action, the process. The healer cannot really say that it is “he” who is singing, rather the process of singing is going on.

[F. David Peat]
Blackfoot Physics, p.144-5




English, Saʼke'j says, is a language for the eye, while an Algonquin language is a language for the ear.

When he has to speak English instead of Mic Maq, Saʼke'j feels that he is being forced to interact with a world of objects, things, rigid boundaries and categories in place of a more familiar world of flows, processes, activities, transformations, and energies.

For Saʼke'j, the Mic Maq language is itself a world of sounds that echoes and reflects the vibrations of the physical world. 

While the surface world of objects and material things can easily be identified by the eye, it is the ear that must deal with the more subtle levels of flux, transformation, and reality behind appearances.

The English language, in his opinion, does little more than mimic what the eye can do far better by giving emphasis to names and objects, while the Algonquin family of languages complements the eye's abilities by addressing a world of sounds and energies. In speaking English Sa'ke'j is also struck by the many metaphors that refer to seeing. We say "Yes, I see that" or speak of an "illuminating idea." Mic Maq, by contrast, places less emphasis upon this world of visual appearances.

The problem with English is that when it tries to grapple with abstractions and categories it tends to trap the mind into believing that such categories have an equal status with tangible objects.

Algonquin languages, being for the ear, deal in vibrations in which each word is related directly, not only to a process of thought, but also to the animating energies of the universe. To the Algonquin people, language is not a duplication of sight, but a complement to it. Thus, "popping wind" is not a representation of reality, or something separate from it; rather it is an integral part.

[F. David Peat]
Blackfoot Physics, p.231-2



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All is Change
Escaping Uncertainty
Are You Sure?
Where language ends and art begins
Making it up as we go along
Discrimination
A Difference that makes a Difference
The Eternal Ideas
Middle World
Dancing at the Border